本文選題：約翰·辛格 + 《騎馬下海的人》��； 參考：《山西師范大學(xué)》2012年碩士論文

【摘要】：約翰·辛格《騎馬下海的人》是一部象征主義悲劇力作，不僅是象征主義戲劇中的一朵奇葩，也是愛爾蘭文學(xué)中一件瑰寶。對于這位愛爾蘭劇作家的研究國內(nèi)也是零零星星，但進(jìn)入21世紀(jì)以來他的戲劇又重新走上中國舞臺，引起人們對他的再度關(guān)注。論文主要從象征主義角度對他的獨(dú)幕劇《騎馬下海的人》進(jìn)行研究，從追溯淵源、文本解讀和影響三方面詮釋文本，力圖通過文本解讀發(fā)掘辛格在象征主義戲劇中的地位與意義。 論文分緒論、正文、結(jié)語三部分，，共四章來闡釋《騎馬下海的人》對象征主義戲劇的繼承、創(chuàng)新與影響。緒論主要寫國內(nèi)有關(guān)辛格作品的譯介、舞臺演出以及作家作品的研究現(xiàn)狀以及選題意義。正文分兩個部分：第一部分主要從兩方面探討《騎馬下海的人》對象征主義戲劇的繼承與創(chuàng)新，包括象征淵源和象征表現(xiàn)。第二部分主要闡述作家作品獨(dú)立的象征特征，象征-現(xiàn)實(shí)主義的完美結(jié)合對象征主義戲劇產(chǎn)生深遠(yuǎn)影響和重要地位，并成為愛爾蘭文學(xué)史上一抹重彩。結(jié)語再次重申辛格象征主義手法運(yùn)用在戲劇史上的意義和論文主要特色，望給后人研究可以提供可借鑒的資料。
[Abstract]:John Singh is a tragic work of symbolism, not only a wonderful flower in symbolism drama, but also a treasure in Irish literature. The study of the Irish playwright has been scattered in China, but since the beginning of the 21st century, his drama has come back to the Chinese stage, drawing people's attention to him again. The thesis mainly studies his one-act drama "the Man who rides under the Sea" from the perspective of symbolism, and interprets the text from three aspects: tracing back to the source, interpreting the text and influencing it. This paper tries to explore Singh's position and significance in symbolism drama through text interpretation. The thesis is divided into three parts: introduction, text and conclusion. It is composed of four chapters to explain the inheritance, innovation and influence of the man riding under the sea to symbolism drama. Introduction mainly about the domestic translation of Singh's works, stage performances, writers and works of the status quo and significance of the topic. The text is divided into two parts: the first part mainly discusses the inheritance and innovation of symbolism drama from two aspects, including symbolic origin and symbolic expression. The second part mainly expounds the independent symbolic characteristics of the writer's works. The perfect combination of symbolism and realism has profound influence and important status on symbolism drama, and has become a highlight in the history of Irish literature. The conclusion reiterates the significance of Singer's symbolism in the history of drama and the main features of the thesis.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I562.073

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相關(guān)期刊論文 前2條

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相關(guān)碩士學(xué)位論文 前2條

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本文編號：2059813