本文選題：反面烏托邦三部曲 + 烏托邦��； 參考：《首都師范大學(xué)》2012年碩士論文

【摘要】：“反面烏托邦三部曲”可以說(shuō)是烏托邦文學(xué)中的經(jīng)典之作,也是近代社會(huì)的“警示恒言”,隨著時(shí)代的發(fā)展,它們的價(jià)值愈加得到肯定。這主要是因?yàn)?作品內(nèi)容的豐富性和思想的深刻的預(yù)見(jiàn)性。內(nèi)容的豐富性體現(xiàn)為文本中所存在的隱喻和象征,預(yù)見(jiàn)性則體現(xiàn)于文本的主旨所具有的批判價(jià)值和警示作用上。三部曲作者的創(chuàng)作初衷不僅是諷刺當(dāng)時(shí)社會(huì)的弊端,更是要表達(dá)自己對(duì)人類未來(lái)命運(yùn)的憂慮。他們看到了造成種種弊端的原因,做出了人類如果繼續(xù)如此發(fā)展將會(huì)遭遇怎樣命運(yùn)的預(yù)言。今天我們?cè)賮?lái)看這三部經(jīng)典作品,依然能夠引起共鳴,依然能夠讓人們警醒,依然留給我們很多可以在當(dāng)下重新解讀的空間。 論文運(yùn)用文本層次理論,從三個(gè)層面解讀三部作品：意義單元層面,再現(xiàn)客體層面和作品的意蘊(yùn)層面。第一個(gè)層次體現(xiàn)的是文本本身的豐富性,第二個(gè)層次體現(xiàn)的是文本在傳播過(guò)程中,在不同時(shí)期,是如何被解讀和引申的,第三個(gè)層次則是探討文本的價(jià)值和意義,即批判性、預(yù)見(jiàn)性。論文分為三章：第一章主要講存在于文本中的象征和隱喻,以及文本的敘事結(jié)構(gòu)所達(dá)到的效果；第二章結(jié)合英加登的理論,討論三部曲意義呈現(xiàn)的機(jī)制,即文學(xué)作品中的觀念客體、再現(xiàn)客體以及實(shí)際客體間的圖式結(jié)構(gòu),通過(guò)文本中存在的未確定的位置,來(lái)探討作者的本意、作品中所展現(xiàn)的世界以及作者展現(xiàn)的世界的實(shí)際存在的客觀原型,也即作品的意義呈現(xiàn)的機(jī)制；第三章探討三部曲的文學(xué)意蘊(yùn),探討其批判、警示意義和它對(duì)烏托邦精神的繼承。
[Abstract]:"the reverse utopian trilogy" can be said to be a classic in utopian literature and a warning constant word in modern society. With the development of the times, their value is more and more affirmed. This is mainly due to the richness of the content of the work and the profound foresight of thought. The richness of the content is embodied in the metaphor and symbol in the text, while the predictability is reflected in the critical value and warning function of the main theme of the text. The original intention of trilogy writers is not only to satirize the shortcomings of the society at that time, but also to express their worries about the future fate of mankind. They saw the causes and predicted the fate of mankind if it continued. Today we look at these three classics, which still resonate, still alert people, and leave us plenty of room to reinterpret in the present. Based on the theory of text hierarchy, this paper interprets three works from three aspects: meaning unit level, reproducing object level and meaning level. The first level reflects the richness of the text itself, the second level reflects how the text is interpreted and extended in the process of dissemination, in different periods, and the third level discusses the value and significance of the text, that is, criticality. Foresight. The thesis is divided into three chapters: the first chapter mainly discusses the symbolism and metaphor existing in the text, and the effect of the narrative structure of the text, and the second chapter discusses the mechanism of the trilogy meaning presentation in combination with Ingadden's theory. That is, the conceptual object in the literary works, the schema structure between the reproduction object and the actual object, and through the undetermined position in the text, the author's original intention is discussed. The objective prototype of the actual existence of the world and the world presented by the author, that is, the mechanism of the presentation of the meaning of the work, the third chapter discusses the literary meaning of the trilogy, discusses its criticism, The significance of warning and its succession to the utopian spirit.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I106.4

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 李丹;烏托邦思想研究：理論探微·發(fā)展脈絡(luò)·殊異甄析[D];吉林大學(xué);2012年

，

本文編號(hào)：2051920