本文選題：村上春樹 + “身體”化寫作��； 參考：《山東大學(xué)》2012年碩士論文

【摘要】：現(xiàn)代哲學(xué)擺脫了道德和知識(shí)的束縛,重新審視“身體”一詞,使之成為“自我”的代名詞；同時(shí)“身體”與社會(huì)、歷史關(guān)系密切,在人們認(rèn)識(shí)自我的基礎(chǔ)上成為認(rèn)識(shí)自我與社會(huì)之間關(guān)系的必經(jīng)途徑。 日本人最本源的與“身體”有關(guān)的精神來自于原始先民對自然的崇拜和散落于民間的情感、信仰以及古代神道和舊式禮儀。日本社會(huì)始終未能形成猶如中國古代社會(huì)中的較為系統(tǒng)的倫理學(xué)和道德規(guī)范,日本人也不存在西方人那種與生俱來的“原罪”負(fù)擔(dān)；在日本文化中我們很難找到對可以約束行為的抽象的道德標(biāo)準(zhǔn)的注釋,也較難看到最高信仰和真理給現(xiàn)實(shí)生活帶來的未來感和虛無感。也就是說,日本本土最原始的文化根源中已經(jīng)具備了一種擺脫道德和真理的雙重責(zé)難的先天條件。這種精神的實(shí)質(zhì)在一定程度上與現(xiàn)代哲學(xué)中的“身體”主體理論不謀而合,是日本作家自我意識(shí)與社會(huì)歷史訴求的“身體”化特征的思想文化根源。 村上春樹的小說作品呈現(xiàn)出東西文化交融的“身體”化特征。作家在現(xiàn)實(shí)主義、現(xiàn)代主義與后現(xiàn)代主義交織的文化語境中登上文壇,在創(chuàng)作中面臨著思想內(nèi)容和藝術(shù)手法的多元選擇�！吧眢w”一直是村上小說中的重要內(nèi)容。他的作品從思想內(nèi)容到藝術(shù)表達(dá)上都給予“身體”充分關(guān)照。對“身體”的自覺寫作是村上春樹小說的特色之一。村上春樹小說中的理性自覺和道德自覺要遠(yuǎn)遠(yuǎn)少于“身體”自覺。在村上春樹的小說中“身體”的沖擊力非常顯著。作家往往通過直觀的“身體”器官、樸實(shí)的“身體”知覺來強(qiáng)化對“存在感”的理解�！吧眢w”連結(jié)“自我”與外部世界,“身體”的變化和“流動(dòng)”引導(dǎo)情節(jié)發(fā)展。村上春樹的小說從內(nèi)容到形式上都在完成“身體”的出場。 2009年村上春樹推出最新長篇小說《1Q84》。他在這部作品中所傾注的精力非同一般。作家首次直接面對社會(huì)和歷史文化問題,顯示出復(fù)雜的世界觀和價(jià)值觀。無論篇幅還是主題,《1Q84》都是村上春樹最宏大的作品之一。要想全面了解村上春樹就不能不仔細(xì)的研究《1Q84》,它是村上小說的重要組成部分。至此,村上春樹有關(guān)“身體”的思考已趨于成熟。從“身體”角度研究《1Q84》是理解這部作品的有效途徑,同時(shí),《1Q84》也是研究村上春樹“身體”化寫作的典型文本。 本論文以村上春樹最新長篇小說《1Q84》為案例,研究作家以“身體”為中心的自我意識(shí)和社會(huì)歷史訴求在文本中的表達(dá)。首先采用比較文學(xué)的方法梳理村上春樹的東西方思想和創(chuàng)作環(huán)境,發(fā)掘村上春樹“身體”化寫作的思想根源和藝術(shù)特點(diǎn)；繼而采用案例研究的方法,針對《1Q84》文本細(xì)節(jié)從思想內(nèi)容和藝術(shù)手法兩個(gè)方面分別考察村上春樹自我表達(dá)和社會(huì)歷史訴求的“身體”化內(nèi)涵；最后針對《1Q84》的文本動(dòng)向探討村上春樹“身體”化寫作的發(fā)展趨勢和創(chuàng)作困境。
[Abstract]:Modern philosophy has cast off the shackles of morality and knowledge and reexamined the word "body" to make it a synonym for "self", and at the same time, "body" is closely related to society and history. On the basis of people's understanding of self, it becomes the necessary way to understand the relationship between self and society. The most original Japanese spirit related to the "body" comes from the primitive ancestors' worship of nature and the scattered emotions, beliefs, ancient Shinto and old-style rituals. The Japanese society has never been able to form the more systematic ethics and moral norms in the ancient Chinese society, and the Japanese do not have the inherent burden of "original sin" of the Westerners. In Japanese culture, it is difficult to find the annotation of abstract moral standards which can restrain behavior, and it is also difficult to see the sense of future and nothingness brought about by the highest belief and truth in real life. In other words, Japan's original cultural roots already have a natural condition to get rid of the double blame of morality and truth. To some extent, the essence of this spirit coincides with the subject theory of "body" in modern philosophy, which is the ideological and cultural root of the "body" characteristic of Japanese writers' self-consciousness and social history. Haruki Murakami's novels show the characteristics of "body" in the blend of East and West cultures. In the cultural context of realism, modernism and postmodernism, writers are faced with multiple choices of ideological content and artistic techniques. Body has always been an important part of Murakami's novels. His works, from ideological content to artistic expression, give full attention to the body. The conscious writing of body is one of the features of Murakami's novels. The rational and moral consciousness in Murakami's novels is far less than the body consciousness. In Haruki Murakami's novels, the impact of body is very significant. Writers often strengthen their understanding of "sense of being" through intuitive "body" organs and simple perception of "body". The body connects the self with the outside world, the change of the body and the flow to guide the development of the plot. Murakami's novels are completing the appearance of "body" in both content and form. In 2009, Murakami launched the latest novel < 1Q84 >. He devoted a remarkable amount of energy to the work. For the first time, writers face social and historical and cultural problems directly, showing a complex world outlook and values. < 1 Q 84 > is one of Murakami's greatest works, regardless of its length or theme. In order to fully understand Murakami, we must study < 1Q84 >, which is an important part of Murakami's novels. So far, Haruki Murakami about the "body" thinking has tended to mature. The study of < 1Q84 > from the perspective of "body" is an effective way to understand this work, and < 1Q84 is also a typical text of studying Murakami's "body" writing. Taking Murakami Haruki's latest novel < 1Q84 > as an example, this paper studies the expression of the writer's self-consciousness and social historical appeal centered on "body" in the text. First of all, using comparative literature to sort out Murakami's eastern and western thoughts and creative environment, to explore the ideological roots and artistic characteristics of Murakami's "body" writing, and then to adopt the method of case study. In view of the details of < 1Q84 > text, the "body" connotation of Murakami's self-expression and social historical appeal is investigated from two aspects: ideological content and artistic technique. Finally, aiming at the text trend of < 1Q84 >, this paper discusses the development trend and creative dilemma of Murakami's "body" writing.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074

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