本文選題：青野季吉 + 左翼文藝思想　； 參考：《廈門大學(xué)》2014年碩士論文

【摘要】：青野季吉是1920-1930年代日本極其活躍的無產(chǎn)階級文藝?yán)碚摷?他的理論曾被視為日本無產(chǎn)階級文學(xué)運(yùn)動(dòng)“第二斗爭期”的指導(dǎo)思想。他以“目的意識論”為核心的文藝思想在中國的革命文學(xué)發(fā)展時(shí)期對中國文壇產(chǎn)生過廣泛而深遠(yuǎn)的影響。 本文通過梳理和歸納青野季吉文論著述在中國的譯介與接受,綜合采用文本細(xì)讀、影響研究、比較研究等研究方法,力求清晰地勾勒出青野季吉文藝思想的理論來源及其知識構(gòu)成,分析研究其文藝思想在中國的傳播與接受狀況。國內(nèi)學(xué)者對青野季吉的研究并不多見,本人嘗試在已有的有限研究成果的基礎(chǔ)上,重新對青野季吉文藝思想在中國的譯介和接受給予全面的探討,以便對深入理解左翼文藝思想的知識構(gòu)成及其所蘊(yùn)含的啟發(fā)與局限等等奠定較為堅(jiān)實(shí)的理論基礎(chǔ)。
[Abstract]:Yoshiji Ono was an extremely active proletarian literary theorist in 1920-1930 's. His theory was regarded as the guiding ideology of the second struggle period of the Japanese proletarian literature movement. His thought of literature and art, which centered on the theory of teleology, had a wide and profound influence on the Chinese literary world during the period of the development of Chinese revolutionary literature. By combing and summing up the translation and acceptance of Kiyoshi's literary works in China, this paper adopts several research methods, such as text reading, influence study, comparative study and so on. This paper tries to draw a clear outline of the theoretical source and knowledge structure of the literary and artistic thoughts of Keno Jiji, and to analyze and study the dissemination and acceptance of his literary and artistic thoughts in China. There are few domestic scholars who have done much research on Keno Ji Ji. On the basis of the limited research results, I try to give a comprehensive discussion on the translation and acceptance of his literary and artistic thoughts in China. In order to deeply understand the knowledge structure of left wing literature and art thought and its implications and limitations and so on to lay a solid theoretical foundation.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I313.06

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相關(guān)期刊論文 前3條

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本文編號：1977466