本文選題：雙城記 + 批判現(xiàn)實(shí)主義��； 參考：《哈爾濱理工大學(xué)》2012年碩士論文

【摘要】：查爾斯·狄更斯，十九世紀(jì)英國(guó)最偉大的現(xiàn)實(shí)主義作家，創(chuàng)造了一個(gè)全新的批判現(xiàn)實(shí)主義時(shí)代，他的十四部偉大杰作揭露了并且深刻地抨擊了十九世紀(jì)的英國(guó)。因此他被推崇為批判現(xiàn)實(shí)主義小說家的杰出代表，幽默和諷刺的藝術(shù)家，語(yǔ)言大師。喬治·吉辛曾高度贊譽(yù)狄更斯的作品為”召喚人們微笑和仁慈的心靈燈塔.”[1]（喬治·吉辛，1974） 狄更斯的小說常被授予“現(xiàn)實(shí)主義”的稱號(hào)。他的作品通過描寫遭受困苦中的好人和受害者來(lái)深入地揭示嚴(yán)重的社會(huì)問題，以及與各種社會(huì)弊病相關(guān)的腐朽的議會(huì)系統(tǒng)、法庭，黑暗的監(jiān)獄，其全部是資產(chǎn)階級(jí)的象征。狄更斯的作品不可避免的受制于當(dāng)時(shí)的社會(huì)環(huán)境和人們的思想，但他具有創(chuàng)造性的想象力是非常豐富的，充滿激情的，其描繪現(xiàn)實(shí)社會(huì)的筆觸是極其鋒利的。同時(shí)他也吸收了浪漫主義作家如盧梭和華茲華斯的思想，其浪漫主義思想的特色充斥于他的作品中，《雙城記》就是其中的代表之一�！峨p城記》（1895）是狄更斯的后期著作，，是一部基于法國(guó)革命的歷史小說。《雙城記》作為狄更斯不朽作品中最短的一部，它的情節(jié)確是最千回百轉(zhuǎn)，精妙，而激動(dòng)人心的。 本文主要討論、分析狄更斯《雙城記》中的批判現(xiàn)實(shí)主義與浪漫主義，小說中的批判現(xiàn)實(shí)主義與狄更斯的浪漫主義形成鮮明對(duì)比。通過分析批判現(xiàn)實(shí)主義與浪漫主義各自的特征和其表現(xiàn)形式，本文闡述了《雙城記》這個(gè)作品的情節(jié)發(fā)展是批判現(xiàn)實(shí)主義的過程，作者的筆鋒是銳利的，充滿批判現(xiàn)實(shí)主義的精神，但是美好的人物形象，以及小說的結(jié)局明顯帶有浪漫主義的色彩，這是作者對(duì)其所揭露的社會(huì)的一種理想化。最后，本文還認(rèn)為，現(xiàn)實(shí)主義與浪漫主義相結(jié)合是狄更斯所特有的，此研究有助于提高人們對(duì)狄更斯的作品有更深入地認(rèn)識(shí)。
[Abstract]:Charles Dickens, Britain's greatest realist writer in the nineteenth century, created a new era of critical realism. His fourteen great masterpieces exposed and deeply criticized the nineteenth century England. So he was praised as an outstanding representative of critical realism novelists, an artist of humor and satire, and a master of language. George Gisin spoke highly of Dickens's work as a "beacon of hearts that calls people to smile and mercy." [1] (George Gisin 1974) Dickens' novels are often given the title of realism. His works reveal in depth the serious social problems, the decaying parliamentary system associated with various social ills, the courts, and the dark prisons, all of which are symbols of the bourgeoisie by describing the good men and the victims of suffering. Dickens' works are inevitably subject to the social environment and people's thoughts at that time, but his creative imagination is very rich, full of passion, and his strokes describing the real society are extremely sharp. He also absorbed the thoughts of Romantic writers such as Rousseau and Wordsworth. His Romantic thoughts were full of characteristics in his works, and the Tale of two cities was one of them. A historical novel based on the French Revolution, A Tale of two cities, as the shortest of Dickens's monumental works, is indeed the most dramatic, subtle, and exciting plot. This paper mainly discusses and analyzes the critical realism and romanticism in Dickens'A Tale of two cities, while the critical realism in the novel forms a sharp contrast with Dickens's Romanticism. By analyzing the respective characteristics and forms of critical realism and romanticism, this paper expounds that the plot development of the novel is a process of critical realism, and the writer's stroke is sharp. It is full of the spirit of critical realism, but the beautiful characters and the ending of the novel are obviously romantic, which is a kind of idealization of the society which the author reveals. Finally, this paper holds that the combination of realism and romanticism is unique to Dickens, and this study will help people to have a deeper understanding of Dickens' works.
【學(xué)位授予單位】：哈爾濱理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I561.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 伍厚愷;論《雙城記》的藝術(shù)特色[J];四川大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1985年03期

2 傅守祥;論《雙城記》浪漫現(xiàn)實(shí)主義的仁愛精神[J];山東師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2004年03期

3 劉茵;;紅色與金黃——從《雙城記》中顏色的象征意義看中英顏色文化異同[J];時(shí)代文學(xué)(下半月);2008年11期

4 楊耀民;;狄更斯的創(chuàng)作歷程與思想特征[J];文學(xué)評(píng)論;1962年06期

5 王坤;批評(píng)標(biāo)準(zhǔn)哲學(xué)基礎(chǔ)的置換——文學(xué)的價(jià)值層面與批評(píng)尺度[J];中山大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2003年02期

本文編號(hào)：1944501