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《畢司瓦斯先生的房子》中反映的邊緣人的文化身份

發(fā)布時(shí)間:2018-05-25 23:38

  本文選題:后殖民 + 文化身份; 參考:《河南大學(xué)》2012年碩士論文


【摘要】:進(jìn)入二十一世紀(jì),隨著移民人口的持續(xù)增加,邊緣人的文化身份問(wèn)題已成為一個(gè)不容忽視的重要問(wèn)題。后殖民個(gè)體進(jìn)退維谷,一面急于被“中心”認(rèn)可,一面又不愿放棄自身本性。這就使得后殖民語(yǔ)境下邊緣人的文化身份呈現(xiàn)模糊性及不確定性。如何看待自身的文化身份,如何定位自己成了邊緣人急需解決的問(wèn)題。 作為西印度群島的印度人,英國(guó)的西印度群島人,及后殖民時(shí)期的離散知識(shí)分子,V. S.奈保爾是一個(gè)真正的“他者”,一個(gè)典型的邊緣人。身份的模糊性,異化,無(wú)根性,,非殖民化是奈保爾作品中經(jīng)常出現(xiàn)的主題。以他的父親作為藍(lán)本,《比斯瓦斯先生的房子》以尋找一個(gè)屬于自己的房子為線索,講述了比斯瓦斯先生奮斗,受苦,反抗的一生。用他的人生經(jīng)歷再現(xiàn)了特立尼達(dá)尋求獨(dú)立和自由的歷史過(guò)程。小說(shuō)以比斯瓦斯先生的一生為焦點(diǎn),透視了非殖民化時(shí)期第三世界國(guó)家的政治、社會(huì)、文化及人們的心理變化。通過(guò)對(duì)比斯瓦斯先生和圖爾斯家族生活的描寫(xiě),小說(shuō)反映了那個(gè)時(shí)代特立尼達(dá)印度移民的艱難處境,說(shuō)明后殖民生存狀態(tài)早在殖民時(shí)期就已存在。本文通過(guò)對(duì)《比斯瓦斯先生的房子》的后殖民解讀,提煉出小說(shuō)中反映的邊緣人的后殖民生存狀態(tài),分析造成他們?nèi)绱松鏍顟B(tài)的原因,接著指出后殖民語(yǔ)境下邊緣人文化身份的模糊性,最后討論消除后殖民個(gè)體文化身份模糊性的正確方式。 本文由五部分組成。第一部分對(duì)V. S.奈保爾,《比斯瓦斯先生的房子》和后殖民理論做了簡(jiǎn)單介紹,概括了國(guó)內(nèi)外對(duì)作家及這部作品的研究現(xiàn)狀,闡明了研究意義。 第一章分析了小說(shuō)中所反映的邊緣人的后殖民生存狀態(tài)。盡管小說(shuō)的故事背景是在殖民地時(shí)期,但小說(shuō)中人物卻處于后殖民生存狀態(tài)。即身份的不確定性,文化心理上的本土化與西方化的沖突,永久的暫時(shí)性。所以這部小說(shuō)是第三世界國(guó)家居民的后殖民生存狀態(tài)的寓言。 第二章對(duì)這部小說(shuō)進(jìn)行了多聲部解讀,即從兩方面分析形成邊緣人后殖民生存狀態(tài)的原因。一是宗主國(guó)對(duì)殖民地的統(tǒng)治與剝削。除了經(jīng)濟(jì)掠奪政策、軍事鎮(zhèn)壓、政治統(tǒng)治這些強(qiáng)硬手段外還伴隨著對(duì)殖民地人民的意識(shí)形態(tài)控制。二是殖民地人民對(duì)殖民統(tǒng)治的反抗及對(duì)西方文化的吸納。 第三章分析了后殖民語(yǔ)境下邊緣人文化身份的模糊性,試論如何消除其文化身份的模糊性。所有文化都是相互依賴和彼此交融的。人們生活在全球化環(huán)境中,以國(guó)籍、宗教信仰、性別等劃分個(gè)人身份的方式需要得到挑戰(zhàn)。人們應(yīng)該超越帝國(guó)、國(guó)家和地方的界限,吸收“外來(lái)”成分成為一個(gè)世界公民。 最后一部分對(duì)論文進(jìn)行了總結(jié),指出成為世界公民的方式。人總是在路上,身份在不停變化,沒(méi)有一個(gè)人的身份是單純不變的。每個(gè)國(guó)家每個(gè)人都應(yīng)該用更寬廣的視野和全球化的意識(shí)看待事物及自身的發(fā)展。
[Abstract]:In the 21 century, with the continuous increase of immigrant population, the cultural identity of marginal people has become an important issue that can not be ignored. The post-colonial individual is in a dilemma, eager to be recognized by the center, and unwilling to give up his own nature. This makes the cultural identity of marginal people fuzzy and uncertain in the post-colonial context. How to treat their own cultural identity and how to position themselves has become an urgent problem for the marginal people. As a West Indies Indian, British West Indies, and a post-colonial discrete intellectual, V. S. Naipaul is a true "other", a typical fringe. Identity fuzziness, alienation, rootlessness and decolonisation are common themes in Naipaul's works. Based on his father, "Mr. Biswas's house" tells the story of Mr. Biswas's life of struggle, suffering, and resistance in the search for a house of his own. His life experience reproduces Trinidad's historical process of seeking independence and freedom. Focusing on Mr. Biswas's life, the novel examines the political, social, cultural and psychological changes in third world countries during the decolonization period. The novel reflects the difficult situation of the Indian immigrants in Trinidad through the description of the family life of Mr Vasvas and the Tours family. It shows that the post-colonial existence existed as early as the colonial period. Based on the post-colonial interpretation of "Mr. Biswas's house", this paper abstracts the post-colonial living state of the marginal people reflected in the novel, and analyzes the reasons why they are so living. Then it points out the fuzziness of the cultural identity of the marginal people in the post-colonial context, and finally discusses the correct way to eliminate the fuzziness of the cultural identity of the post-colonial individual. This paper consists of five parts. The first part is about V. S. Naipaul's House of Mr. Biswas and postcolonial theory are briefly introduced. The present situation of research on writers and this work at home and abroad is summarized and the significance of the study is clarified. The first chapter analyzes the post-colonial living state of the marginal people reflected in the novel. Although the story background of the novel is in colonial period, the characters in the novel are in the state of postcolonial existence. That is, identity uncertainty, cultural psychological localization and westernization conflict, permanent temporary. So this novel is a postcolonial fable of the inhabitants of third world countries. In the second chapter, the author interprets the novel in multiple voices, that is, to analyze the causes of the post-colonial living state of the marginal people from two aspects. The first is the domination and exploitation of the colonies by the sovereign state. In addition to economic plundering, military repression, and political domination, these tough tactics were accompanied by ideological control over colonial peoples. Second, colonial people's resistance to colonial rule and the absorption of Western culture. The third chapter analyzes the fuzziness of marginal people's cultural identity in the context of post-colonial, and discusses how to eliminate the fuzziness of their cultural identity. All cultures are interdependent and intermingled. People live in a globalized environment and need to be challenged to classify their personal identity in terms of nationality, religious belief, gender, etc. People should transcend the boundaries of empires, nations and places and absorb "foreign" elements to become a world citizen. The last part summarizes the paper and points out the way to become a citizen of the world. People are always on the road, identity is constantly changing, no one's identity is pure unchanged. Everyone in every country should look at things and their own development with a broader vision and a sense of globalization.
【學(xué)位授予單位】:河南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:I561.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

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2 林靜;;“寫(xiě)作距離”的遠(yuǎn)近與作家的立場(chǎng)——V.S.奈保爾作品分析[J];大眾文藝;2011年11期

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