本文選題：莎士比亞戲劇 + 圣徒式��； 參考：《河南大學(xué)》2012年碩士論文

【摘要】：莎士比亞戲劇屬于伊麗莎白時期的世俗戲劇，雖然重在宣揚(yáng)人文主義個性解放思想，但是由于文化淵源繼承性，人文主義繼承了基督教文化中“仁慈、博愛、寬恕”及注重人的性靈和道德完善等道德觀念。莎士比亞戲劇創(chuàng)作中亦有基督教道德觀的體現(xiàn)，不僅僅是體現(xiàn)在圣經(jīng)典故的化用和宗教主題上，，還體現(xiàn)在一些宗教意味濃厚的戲劇人物言行上。莎士比亞作品中的正面人物往往都是些虔誠的基督徒，這類具有圣徒精神的虔誠基督徒，或是修道士牧師，或是貞潔的女性形象，都傳達(dá)出了作家的道德觀念和人文精神探索。 本文有由以下幾個方面構(gòu)成： 引言主要是梳理本課題的國內(nèi)外研究現(xiàn)狀，確定本文研究方法及研究內(nèi)容。 第一章是莎士比亞戲劇中的基督教思想和圣徒形象溯源。在莎士比亞戲劇與基督教聯(lián)系的事實基礎(chǔ)上，通過溯源圣經(jīng)和中世紀(jì)圣徒傳中的圣徒形象和英格蘭圣徒崇拜，對圣徒特征和精神有個廣義界定。 第二章是分類和評析莎士比亞戲劇中的圣徒式人物。對圣徒特征和精神有個廣義界定后并按照“仁慈博愛”和“寬恕犧牲”的宗教道德角度切入文本，劃分出莎劇中的三類圣徒式人物類型：一類是本身擔(dān)任神職并且以身作則，宣揚(yáng)“仁愛”“寬恕”等基督教傳統(tǒng)道德觀念的神父；一類是本身不具備宗教職務(wù)，但是信仰虔誠、品行高潔，面對現(xiàn)實和信仰的道德困境，寧愿自我犧牲的圣潔女性；還有一類是融合了市民自私“利己”心態(tài)和圣徒無私“利民”氣質(zhì)的和解型人物，這類人物是人文復(fù)興時期作家對宗教道德和人文主義精神碰撞的一種妥協(xié)，顯現(xiàn)出作家對人性解放和道德約束的思考和探索。 第三章是從人物敘事學(xué)角度把握莎劇中圣徒式人物形象特征，并探討其美學(xué)意義和沒落原因。隨著作者對現(xiàn)實矛盾認(rèn)識的深入，作品中所表現(xiàn)出的圣徒式人物形象逐漸融合和發(fā)展，由功能性人物形象逐漸轉(zhuǎn)變成心理性人物形象，這是與當(dāng)時宗教改革和社會發(fā)展影響密切相關(guān)的，畢竟人文主義價值觀在取代宗教道德觀的過程必須經(jīng)過磨合才能達(dá)到一種圓融平衡的狀態(tài)。把莎士比亞戲劇置于時代背景下，凸顯伊麗莎白時代莎劇中這類圣徒式人物的沒落衰亡，表現(xiàn)出莎士比亞的宗教人文主義精神探索。 結(jié)語總結(jié)了全文內(nèi)容，并就莎士比亞在戲劇中塑造出圣徒式人物形象和其形象發(fā)展的特征和文學(xué)史意義進(jìn)行總結(jié)。
[Abstract]:Shakespeare's plays belong to the worldly drama of Elizabeth period. Although the emphasis is on advocating humanism to emancipate the mind, because of the inheritance of the cultural origin, humanism inherits the "benevolence and fraternity" in the Christian culture. Forgiving and paying attention to the moral concepts such as human spirit and moral perfection. There is also Christian morality in Shakespeare's plays, not only in the use of biblical allusions and religious themes, but also in the words and deeds of some dramatic characters with strong religious significance. The characters in Shakespeare's works are often devout Christians, such as religious Christians with saintly spirit, monks or chaste female images, all convey the writer's moral concept and humanistic spirit exploration. This paper is composed of the following aspects: The introduction is mainly to sort out the domestic and foreign research status of this topic, to determine the research methods and research content. The first chapter is the origin of the Christian thought and the image of saints in Shakespeare's plays. On the basis of the fact that Shakespeare's plays are related to Christianity, there is a broad definition of the characteristics and spirit of saints by tracing back to the images of saints in the Bible and medieval saints and by the worship of saints in England. The second chapter classifies and evaluates the saints in Shakespeare's plays. Having a broad definition of the characteristics and spirit of saints and cutting into the text from the perspective of religious morality of "benevolence and fraternity" and "forgiveness of sacrifice", three types of saints are classified in Shakespeare's plays: the first is their own ministry and lead by example. A priest who preaches the traditional Christian moral concepts such as "benevolence" and "forgiveness"; one is a holy woman who does not have a religious position, but who believes in piety and good conduct, faces the moral dilemma of reality and faith, and prefers to sacrifice herself; There is also a kind of conciliatory figure who combines the selfish "self-interest" mentality of the citizen and the selfless "self-interest" temperament of the saints. This kind of character is a compromise of the writers' collision with religious morality and humanism spirit during the period of humanism revival. It shows the writer's thoughts and explorations on the liberation of human nature and moral restraint. The third chapter is to grasp the characteristics of saint-style figures in Sha's plays from the perspective of character narratology, and to explore its aesthetic significance and the reasons for its decline. With the deepening of the author's understanding of the contradiction of reality, the saint-style figures in his works gradually merge and develop, and the images of the functional characters are gradually transformed into the images of psychological characters. This is closely related to the influence of religious reform and social development at that time. After all, humanism values in the process of replacing religious morality must go through the run-in to achieve a state of harmony and balance. Putting Shakespeare's plays under the background of the times, highlighting the decline and death of such saintly figures in Elizabeth's Sasha plays, it shows Shakespeare's exploration of religious humanism. The conclusion summarizes the content of the full text and summarizes the characteristics and significance of Shakespeare's portrayal of saint-like characters in his plays and the development of his images as well as the significance of literary history.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I561.073

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 肖玉柱;;基督教“善惡一體”觀念在莎士比亞戲劇創(chuàng)作中的體現(xiàn)[J];北京教育學(xué)院學(xué)報;2008年02期

2 陳`

本文編號：1893867