本文選題：悲劇命運(yùn) + 日神精神��； 參考：《西安外國語大學(xué)》2012年碩士論文

【摘要】：本文試圖從悲劇理論角度來分析伊迪絲．華頓的《歡樂之家》，，以探索這部作品所包含的悲劇性因素,及主人公莉莉．巴特悲劇命運(yùn)的根源。悲劇藝術(shù)關(guān)注人在不可抗拒的自然或命運(yùn)當(dāng)中的生存狀態(tài),其理論發(fā)展源遠(yuǎn)流長(zhǎng),對(duì)西方文學(xué)史的發(fā)展有著深遠(yuǎn)的影響有。 文章結(jié)合了傳統(tǒng)及現(xiàn)代悲劇理論來分析這部作品。首先以亞里士多德的詩學(xué)為出發(fā)點(diǎn),探討了華頓本人在西方經(jīng)典傳統(tǒng)的影響下,是如何在歡樂之家中進(jìn)行悲劇創(chuàng)作的,然后結(jié)合尼采的悲劇理論,分析了女主人公在與命運(yùn)抗?fàn)幹?所體現(xiàn)出的日神與酒神的二元沖動(dòng)。她在一次次的困境和失敗面前,努力保持繼續(xù)斗爭(zhēng)的決心與希望,更是體現(xiàn)了酒神精神中那種原始的生命力與對(duì)生活的樂觀。其次以黑格爾的悲劇理論為基礎(chǔ)，分析了莉莉從自身的矛盾和沖突，到發(fā)現(xiàn)真我的過程。最終，像傳統(tǒng)悲劇人物一樣，主人公無法逃脫命運(yùn)的作弄，死亡是她最終的結(jié)局，但悲劇主人公的死亡，正如黑格爾所說，不是真善美的覆滅，而是永恒正義的勝利，是對(duì)她所在那個(gè)無情社會(huì)的勝利和控訴。
[Abstract]:This article tries to analyze Edith Wharton's "happy house" from the perspective of tragedy, to explore the tragic factors contained in this work, and the origin of the tragic fate of the hero Lili Bart. The art of tragedy is concerned with the existence of the irresistible nature or destiny of the human being, and its theory has a long history and the history of Western literature. There is a profound impact on the development.
This article analyzes this work in combination with the traditional and modern tragedy theory. First of all, taking Aristotle's poetics as a starting point, it explores how Wharton himself, under the influence of the classical tradition of the west, is how to make a tragic creation in a happy home, and then, combining Nietzsche's tragedy theory, analyzes the heroine in his struggle against fate. The two yuan impulse of the Dionysus and the Dionysus. In the face of the dilemma and failure, she endeavours to maintain the determination and hope of continuing the struggle, which embodies the primitive vitality and optimism of life in the spirit of the Dionysus. Secondly, based on Hagel's theory of tragedy, it analyses the contradiction and conflict of Lili from his own, to the truth of the discovery. Finally, like the traditional tragedies, the hero can't escape from the fates, and death is her final end, but the death of the hero of the tragedy, as Hagel said, is not the destruction of the true and the beauty, but the triumph of the eternal justice, the victory and the prosecution of the merciless society where she is.

【學(xué)位授予單位】：西安外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 薛小惠;《歡樂之家》中莉莉·巴特的崇高美[J];外語教學(xué);2004年05期

2 周國平;;悲劇的酒神本質(zhì):尼采的悲劇觀[J];云南大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年05期

本文編號(hào)：1893501