論井伏鱒二《一個部落的故事》中的桃源鄉(xiāng)要素
本文選題:桃源鄉(xiāng) + 分身 ; 參考:《吉林大學》2012年碩士論文
【摘要】:井伏鱒二在1926年加入雜志《陣痛時代》,1927年由于身邊同事的左傾,井伏在秋季時退出了該雜志。1928年又加入了《文藝都市》,發(fā)表了《深夜與梅花》(1928)、《山椒魚》(1929)等作品。這之后又相繼發(fā)表了《漣軍記》、《多甚古村》、《遙拜隊長》、《本日休診》、《黑雨》等作品。 井伏文學素來有因扎根于本質(zhì)而具有豐富意味的性格,也有諸如井伏文學的洗腦力之類的評價。井伏文學最大的特點是其對于自然的重視。追根溯源,井伏的自然這一思想的根源在于其文學的農(nóng)民性。井伏文學扎根于農(nóng),并且從此展開逐漸發(fā)展成農(nóng)民的集團意識。但最初這一思想的形成并不順利。井伏在出道后一段時間,一直對于自己的文學理念等持懷疑態(tài)度!兑粋部落的故事》正值此時期,被譽為井伏自己的“桃花源記”。在本論文中,通過分析一般意義上的“桃源鄉(xiāng)”要素及井伏作家來發(fā)掘井伏自己的“桃源鄉(xiāng)”要素,進而總結(jié)其自身的“桃源鄉(xiāng)”特征,對于其本質(zhì)及與作家思想的關(guān)聯(lián)等問題進行討論。 本文分為兩個部分進行論述。第一個是《一個部落的故事》中的一般意義上的“桃源鄉(xiāng)”要素,另一個是井伏的“桃源鄉(xiāng)”特征。第一部分由四部分組成,分別為:躲避戰(zhàn)亂,一群人躲到偏僻的地方過隱世生活的部落起源、部落的隱蔽位置、純樸的隨心而動的部落風俗、偶然踏入其境、歸來時向世人宣傳的部落為外人知的方式。 另一部分是關(guān)于井伏的“桃源鄉(xiāng)”的特征問題。這其中又分為兩個部分。一是部落的特征,二是人物的特征。首先部落中尊紅色忌白色,由此進一步調(diào)查發(fā)現(xiàn),《一個部落的故事》的獨特舞臺是文中提到的原型沼隈郡和井伏故鄉(xiāng)的綜合體。其次是關(guān)于平家這一戰(zhàn)敗團體。這主要是當時井伏的朋友左傾而來的孤獨感和悲傷使然。第三條特征是與外界有交流這一點,背后投射的是作家井伏的動搖心情。再來就是人物特征。第一條是人物有分身這一手法,不僅運用于《一個部落的故事》,其他同時期的作品也都有其痕跡。至于選擇此手法的原因,那其實是由于井伏當時還沒有形成自己獨特的文學理念,在他此時的作品中的人物多為疲于都市生活的文學青年,與文中的其他人物均可置換,,并無特別之處使然。第二條是人物有階級意識。通過分析進而揭露井伏獨特的對于其他階級比起憎惡更希望被喜歡的階級觀。 本論文從分析桃源鄉(xiāng)要素和井伏鱒二自身出發(fā),提煉出井伏自己獨特的桃源鄉(xiāng)要素,進而分析其與作家本質(zhì)思想的關(guān)聯(lián),但由于資料不足能力不足,有很多不足之處,還請各位老師批評指正。
[Abstract]:In 1926, he joined the magazine "the Age of Labor pain". In 1927, due to the left-leaning of his colleagues, he withdrew from the magazine in autumn. In 1928, he joined "the City of Literature and Art" and published his works "late Night and Plum Blossom" (1928), "Fish of Pepper" (1929) and so on. After that, he published Lian Jun, Doku Village, Captain remote worshipers, Today's consultation, Black Rain, and so on. Jingfu literature has a rich personality rooted in its essence, as well as an evaluation of its brainwashing power. The greatest characteristic of Jingfu literature is its emphasis on nature. Tracing back to the source, the origin of the thought of the nature of well-potential lies in the peasant nature of its literature. Well-fu literature rooted in agriculture, and from then on gradually developed into farmers' group consciousness. But the initial formation of this idea was not smooth. Jing Fu has been skeptical of his literary ideas for some time after his debut. The story of a tribe is in this period and is known as Jing Fu's "Peach Blossom Story". In this paper, by analyzing the elements of "Taoyuan Township" in general sense and the writer of Jingfu, we can find out the elements of "Taoyuan Township" of Jingfu, and then sum up its own characteristics of "Taoyuan Township". This paper discusses its essence and its connection with the writer's thoughts. This article is divided into two parts to discuss. The first is the "Taoyuan" element in the general sense of the story of a tribe, and the other is the "Taoyuan" characteristic of Jingfu. The first part consists of four parts: the origin of a group of people hiding from war, the origin of a group of people living in secluded places, the hidden position of the tribe, the simple tribal customs that move along with their hearts, and occasionally stepping into their territory. The way a tribe is known to outsiders when it comes back to the world. The other part is about the characteristics of Jingfu's Taoyuan Township. This is divided into two parts. One is the characteristics of the tribe, the other is the character of the characters. First of all, red and white are respected in the tribe, and further investigation shows that the unique stage of the story of a tribe is the complex of the archetypal Marquuma county and Jingfu hometown mentioned in the paper. The second is about Ping Jia, a defeated group. This was mainly due to the loneliness and sadness of his friends at that time. The third characteristic is that there is communication with the outside world. And then there's the character. The first is that characters are separated, not only in the story of a tribe, but also in other works of the same period. As for the reason for choosing this technique, it was actually because Jing Fu had not formed his own unique literary concept at that time. Most of the characters in his works at this time were literary youths who were tired of living in the city, and could be replaced with other characters in the text. There is nothing special about it. The second is that people have class consciousness. Through analysis, Inouveau's unique view of class that he prefers to be liked by other classes rather than hate is revealed. Based on the analysis of Taoyuan and Jingfu trout, this paper abstracts out Jingfu's own unique Taoyuan township elements, and then analyzes the relationship between them and the writer's essential thoughts. However, due to the insufficiency of data and capacity, there are many deficiencies. Teachers are also invited to criticize and correct.
【學位授予單位】:吉林大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:I313.074
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