新女性與完美女性:《到燈塔去》中的女性主義解讀
發(fā)布時(shí)間:2018-05-14 16:27
本文選題:弗吉尼亞·伍爾夫 + 《到燈塔去》; 參考:《南昌大學(xué)》2012年碩士論文
【摘要】:弗吉尼亞·伍爾夫作為二十世紀(jì)初期最著名的作家之一,以其文中所體現(xiàn)的先進(jìn)觀念獨(dú)樹(shù)一幟。一方面,她向文學(xué)界引入了一種全新的小說(shuō)風(fēng)格。她的意識(shí)流小說(shuō)在世紀(jì)之交的世界文學(xué)吹起一股清新之風(fēng),并為后來(lái)的作家打開(kāi)了一扇嶄新的窗口。另一方面,她極度關(guān)注女性的生活和內(nèi)心世界,并創(chuàng)作了大量文學(xué)作品以表達(dá)其女性觀。在她的作品中,伍爾夫深入挖掘性別歧視等社會(huì)問(wèn)題,并試圖通過(guò)作品引起人們的共鳴來(lái)達(dá)到改善女性生活狀況的目的。 《到燈塔去》在學(xué)術(shù)界引起了強(qiáng)烈的反響,成為國(guó)內(nèi)外研究女性文學(xué)學(xué)者的熱點(diǎn)話題。眾所周知,在伍爾夫的小說(shuō)中,《到燈塔去》是自傳性最明顯的本書(shū)。《到燈塔去》中的故事是伍爾夫現(xiàn)實(shí)生活的文學(xué)化翻版。阮姆塞先生和阮姆塞夫人其實(shí)就是伍爾夫的真實(shí)父母的文學(xué)形象,而李麗則扮演了小說(shuō)作者本人這個(gè)角色。在某種意義上,伍爾夫創(chuàng)作這部小說(shuō)是為了紀(jì)念自己的父母和回憶自己的過(guò)去。因此,探究本書(shū)所體現(xiàn)的作者觀點(diǎn)對(duì)了解作者思想的發(fā)展尤其具有意義。本篇論文認(rèn)為阮姆塞夫人是維多利亞時(shí)代“完美女性”的代表。作為妻子、母親、和女主人,她的生活圍繞著家庭這個(gè)范圍。她便是伍爾夫所說(shuō)的必須被殺死的“房間里的天使”。相反,李麗是努力從男性統(tǒng)治中解放自我、追求自身幸福和實(shí)現(xiàn)自我價(jià)值的“新女性”。這兩位女主人公不同的生活觀和價(jià)值觀體現(xiàn)了“新女性”與“完美女性”的區(qū)別,作者相信“新女性”超越了維多利亞時(shí)代的“完美女性”。通過(guò)撰寫(xiě)這部小說(shuō),弗吉尼亞·伍爾夫成功地表達(dá)了她對(duì)女性生活的關(guān)注,以及女性該如何生活的觀點(diǎn)。本文的目的是通過(guò)對(duì)《到燈塔去》中的女性主義的解讀來(lái)證明“新女性”超越了“完美女性”。 本篇論文由七個(gè)章節(jié)組成。第一章是簡(jiǎn)介。第二章是文獻(xiàn)綜述。第三章簡(jiǎn)單介紹作者的生活生活經(jīng)歷及其對(duì)作者的影響。第四章介紹伍爾夫的女性意識(shí),包括其產(chǎn)生的背景以及伍爾夫?qū)ε缘年P(guān)注和她的一些寫(xiě)作觀點(diǎn)。第五章闡述完美女性與新女性的區(qū)別。第六章試圖論證新女性能夠超越完美女性。在最后一章中,本文得出了新女性從各個(gè)角度超越了完美女性的結(jié)論。
[Abstract]:Virginia Woolf, as one of the most famous writers in the early 20th century, is unique in her advanced ideas. On the one hand, she introduced a novel style to the literary world. Her stream of consciousness novel blew a fresh wind in the world literature at the turn of the century and opened a new window for later writers. On the other hand, she paid great attention to the life and inner world of women, and created a lot of literary works to express her view of women. In her works, Woolf explores the social problems such as sexism and tries to improve the living conditions of women through her works. Going to the Lighthouse has aroused a strong response in academic circles and has become a hot topic in the study of female literature scholars at home and abroad. It is well known that in Woolf's novels, "to the Lighthouse" is the most obvious autobiographical book, and the story in "to the Lighthouse" is a literary reprint of Woolf's real life. Mr Nguyen and Mrs Nguyen are in fact the literary images of Woolf's real parents, while Li Li plays the role of the novelist himself. In a sense, Woolf wrote the novel to remember his parents and recall his past. Therefore, exploring the author's views embodied in this book is of particular significance for understanding the development of the author's thoughts. This thesis holds that Mrs Nguyen Muse is the representative of the "perfect woman" of the Victorian era. As a wife, mother, and hostess, her life revolves around the family. She was Woolf's "angel in the room" that had to be killed. Instead, Li Li is a new woman trying to liberate herself from male rule, pursue self-happiness and self-worth. These two heroines' different outlook on life and values reflect the difference between "new women" and "perfect women". The author believes that "new women" transcends the "perfect women" of the Victorian era. By writing the novel, Virginia Woolf successfully expressed her concern for women's life and how they should live. The purpose of this paper is to prove that the new woman transcends the perfect woman through the interpretation of feminism in to the Lighthouse. This paper consists of seven chapters. The first chapter is an introduction. The second chapter is the literature review. The third chapter briefly introduces the author's life experience and its influence on the author. Chapter four introduces Woolf's female consciousness, including its background, her attention to women and her writing views. The fifth chapter expounds the difference between perfect women and new women. Chapter six tries to prove that the new woman can surpass the perfect woman. In the last chapter, the author draws the conclusion that the new woman surpasses the perfect woman from all angles.
【學(xué)位授予單位】:南昌大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類(lèi)號(hào)】:I561.074
【參考文獻(xiàn)】
中國(guó)期刊全文數(shù)據(jù)庫(kù) 前3條
1 郭俊,梅雪芹;維多利亞時(shí)代中期英國(guó)中產(chǎn)階級(jí)中上層的家庭意識(shí)探究[J];世界歷史;2003年01期
2 王菁;;論《到燈塔去》拉姆齊夫人的女性意識(shí)[J];武漢工程大學(xué)學(xué)報(bào);2008年05期
3 馬睿;從伍爾夫到西蘇的女性主義批評(píng)[J];外國(guó)文學(xué)研究;1999年03期
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