本文選題：T.S.艾略特 + 原始主義��； 參考：《南京航空航天大學(xué)》2012年碩士論文

【摘要】：英國詩人、劇作家、文學(xué)批評家T. S.艾略特不僅是公認(rèn)的現(xiàn)代主義藝術(shù)的積極倡導(dǎo)者，也是原始主義的忠實追隨者。在文學(xué)創(chuàng)作中，通過對技巧的革新和實驗，艾略特的創(chuàng)作視野呈現(xiàn)出一種前傾趨勢；而艾略特對傳統(tǒng)的尊重和對往昔的珍視又使其創(chuàng)作視野不斷后置。作為一名現(xiàn)代派作家，艾略特的人類學(xué)視野、宗教信仰以及神話手法為讀者營造了一個屬于艾略特的異彩紛呈的世界。在這個世界里，讀者可以看到艾略特對于原始主義的迷戀。 本論文從18世紀(jì)原始主義思潮的起源開始，一直追溯到其在20世紀(jì)的復(fù)興。艾略特原始主義情懷的形成需歸因于他的童年，他在哈佛受到的教育以及他所提倡的神話創(chuàng)作手法—童年是艾略特原始沖動之源，，在哈佛的歲月培養(yǎng)了他的人類學(xué)意識，而神話手法則表明他的藝術(shù)思維方式呈現(xiàn)原始主義轉(zhuǎn)向。本文隨后詳細闡釋了艾略特詩歌中豐富多樣的原始主義元素，例如原始沖動、非主流文化、神話原型等等。除此以外，基于戲劇同樣是艾略特研究中舉足輕重的部分，本文還探討了儀式元素、神話原型以及觀眾和演員的融合如何在艾略特的劇作中得以體現(xiàn)。 本文在原始主義、人類學(xué)、神話原型批評以及精神分析理論的基礎(chǔ)上，試圖呈現(xiàn)一幅艾略特研究的全景圖，認(rèn)為20世紀(jì)的艾略特是現(xiàn)代的，也是原始的。他的作品清晰地表達了一種原始主義的傾向。從作品中的原始元素中，艾略特試圖尋找的不僅僅是一種精神慰藉，更是一種原始魔力，通過它社會可以恢復(fù)秩序，荒原般的現(xiàn)代世界亦能找到原始時代的生活意義。從原始到現(xiàn)代這一史詩般的跨越將艾略特的作品置于更加宏偉的背景。更為重要的是，這種跨越賦予艾略特的作品恒久的藝術(shù)價值。
[Abstract]:English poet, playwright and literary critic T. S. Eliot is not only an active advocate of modernist art, but also a faithful follower of primitivism. In literary creation, through the innovation and experiment of skill, Eliot's creative field of vision shows a trend of forward tendency, while Eliot's respect for tradition and his cherishing of the past make his creative field of vision unceasing. As a modernist writer, Elliott's anthropological vision, religious belief and mythology have created a colorful world for the reader. In this world, readers can see Eliot's fascination with primitivism. This thesis begins with the origin of the primitive thought in the 18 th century and goes back to its revival in the 20 th century. The formation of Elliott's primordial feelings was attributed to his childhood, his education at Harvard and his mythological techniques-childhood was the source of Elliott's primitive impulse, and his anthropological consciousness was nurtured during his years at Harvard. The mythological technique shows that his artistic way of thinking shows a primitive turn. This paper then explains in detail the rich and diverse elements of primitivism in Eliot's poetry, such as primitive impulse, non-mainstream culture, mythical archetype, etc. In addition, based on the fact that drama is also an important part of Eliot's study, this paper discusses how ritual elements, mythological archetypes and the fusion of audience and actor can be embodied in Eliot's plays. Based on the theories of primitivism, anthropology, mythological archetypal criticism and psychoanalysis, this paper attempts to present a panoramic view of Eliot's study, which holds that Eliot in the 20th century is modern and primitive. His work clearly expresses a primitive tendency. From the original elements in his works, Eliot tries to find not only a kind of spiritual comfort, but also a kind of primitive magic, through which order can be restored, and the modern world as a wasteland can also find the meaning of life in primitive times. The epic leap from primitive to modern places Eliot's work in a more magnificent setting. More importantly, this leapfrogging endows Elliott's work with enduring artistic value.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I561.06

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相關(guān)期刊論文 前1條

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