本文選題：中國(guó)禪宗思想 + 模糊性��； 參考：《學(xué)術(shù)交流》2014年06期

【摘要】：利用語(yǔ)言潛在的模糊性可增強(qiáng)敘事的力度。中國(guó)禪宗不僅語(yǔ)言具有模糊性,其思想更具模糊性,虛中帶實(shí),實(shí)中帶虛,虛實(shí)相生,禪意無(wú)窮。日本作家水上勉受中國(guó)禪宗慧能思想影響很大,且深得慧能模糊思想的精髓。在精神上,作家用之化解人生不幸,救濟(jì)苦難;在行為上,作家晚年落葉歸根,萬(wàn)事不執(zhí)于心地模糊了修行與生活,安度當(dāng)下。在文學(xué)實(shí)踐中,模糊主人公歷史身份與歷史事件、模糊故事年代及地點(diǎn)、模糊敘事者記憶與想象、模糊過(guò)往與現(xiàn)今、模糊創(chuàng)作體裁、模糊創(chuàng)作思想,形成獨(dú)特的"模糊虛實(shí)"的創(chuàng)作策略,在真真假假中,揭示人性的真實(shí)、人生的本質(zhì)。
[Abstract]:The use of the potential fuzziness of language can enhance the intensity of narrative. Chinese Zen not only has fuzziness in language, but also has more fuzziness in its thought. Japanese writer Mizukami Tsutomu was greatly influenced by Chinese Zen Huineng thought and got the essence of Huineng's vague thought. In spirit, the writer uses it to dissolve the misfortune of life and relieve the suffering; in the behavior, the writer returns to his roots in his later years, and all things do not hold his mind to blur his practice and life, and he spends his present life in peace. In literary practice, the historical identity and events of the protagonist, the age and place of the story, the memory and imagination of the narrator, the past and the present, the fuzzy creative genre, the fuzzy creative thought, the historical identity and the historical events of the protagonist are blurred. Forming a unique creative strategy of "fuzzy reality", revealing the true nature of human nature and the essence of life in the true and false.
【作者單位】： 黑龍江大學(xué)文學(xué)院;
【基金】：黑龍江省哲學(xué)社會(huì)科學(xué)研究規(guī)劃項(xiàng)目(13D042) 黑龍江省博士后資助研究(LBH-Z12224) 哈爾濱師范大學(xué)科研培育基金項(xiàng)目(SXP2014-01)
【分類號(hào)】：I313.074

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