本文選題：《馬戲團(tuán)之夜》 + 狂歡化　； 參考：《河南師范大學(xué)》2012年碩士論文

【摘要】：安吉拉·卡特是二十世紀(jì)英國文壇頗受矚目的女作家，其代表作《馬戲團(tuán)之夜》是當(dāng)代最為引人入勝的作品之一。卡特生前旗幟鮮明地表達(dá)自己的女性主義觀點(diǎn)，公開以女性主義作家自居，其作品中豐富多元的女性主義思想以及深刻的女性關(guān)懷自然成為評(píng)論界關(guān)注的焦點(diǎn)，然而對(duì)于《馬戲團(tuán)之夜》中同樣豐富的狂歡化特征，學(xué)界卻鮮有系統(tǒng)研究，，將二者結(jié)合起來對(duì)小說進(jìn)行的研究更是鳳毛麟角。因此，本文以巴赫金狂歡化理論為主，以女性主義理論為輔，系統(tǒng)闡述小說如何構(gòu)建一個(gè)顛覆既有秩序的狂歡世界，分析卡特如何通過加冕脫冕、怪誕身體、笑虐等狂歡化特征來實(shí)現(xiàn)其解構(gòu)二元對(duì)立、顛覆父權(quán)制意識(shí)形態(tài)下性別建構(gòu)以及重構(gòu)和諧兩性關(guān)系的女性主義目標(biāo)。 論文引言部分簡要介紹了作家作品，著重追述了國內(nèi)外安吉拉·卡特的研究歷史進(jìn)程以及對(duì)《馬戲團(tuán)之夜》的相關(guān)評(píng)論，由此提出進(jìn)一步探索的空間和可能性，并概述了論文的基本框架結(jié)構(gòu)。 論文主體部分分為四章。第一章介紹巴赫金狂歡化理論、該理論與女性主義理論的關(guān)系以及理論對(duì)小說文本研究的適用性。 第二章挖掘了小說的狂歡化特征。論文認(rèn)為，小說中時(shí)空與意象的狂歡化、人物間具有狂歡特質(zhì)的親昵接觸、狂歡廣場(chǎng)式語言的使用共同建構(gòu)起一個(gè)狂歡世界，從而打破和解構(gòu)了固有的規(guī)則、標(biāo)準(zhǔn)、傳統(tǒng)，顛覆了等級(jí)森嚴(yán)的真實(shí)世界。借此，卡特清掃了父權(quán)社會(huì)等級(jí)制度下的種種限制，為進(jìn)一步實(shí)現(xiàn)其女性主義目標(biāo)奠定了基礎(chǔ)。 第三章著重分析小說中加冕和脫冕儀式對(duì)二元對(duì)立模式的顛覆與解構(gòu)，認(rèn)為卡特對(duì)經(jīng)典童話、神話中人物和情節(jié)的加冕/脫冕意在揭露童話、神話的欺騙性及其教化女性的目的，同時(shí)小說對(duì)情節(jié)的改寫也起到了顛覆男性\女性二元對(duì)立的作用；對(duì)宗教儀式及參與者形象加冕、脫冕是為了削弱宗教在二元對(duì)立中的神圣地位；而在小說中為動(dòng)物加冕、為人類脫冕解構(gòu)了人與動(dòng)物間二元對(duì)立的關(guān)系。二元對(duì)立是父權(quán)制社會(huì)的基石，卡特通過加冕、脫冕實(shí)現(xiàn)了對(duì)二元對(duì)立模式的解構(gòu)，也就對(duì)父權(quán)制權(quán)威提出了挑戰(zhàn)。 第四章闡述了卡特如何通過怪誕女性身體和狂歡式的笑來實(shí)現(xiàn)其女性主義目標(biāo)。此外，本章還探討了卡特在狂歡氛圍中對(duì)實(shí)現(xiàn)其女性主義目標(biāo)的其他嘗試，包括女性同性間的愛與關(guān)懷和純女性烏托邦的構(gòu)建，此類完全忽略男性作用的嘗試在實(shí)踐上顯然無法走得更遠(yuǎn)，卡特也由此最終確定男女間平等、真誠的愛才是實(shí)現(xiàn)兩性自由、和諧生活的關(guān)鍵。 研究結(jié)果表明，作為一部典型的狂歡化小說，《馬戲團(tuán)之夜》構(gòu)建了一個(gè)狂歡世界。這場(chǎng)顛覆式的狂歡塵埃落定于女性狂歡，其終級(jí)目標(biāo)是控訴和反抗父權(quán)制意識(shí)形態(tài)下女性被統(tǒng)治、被壓迫的悲苦命運(yùn)，喚醒女性掙脫束縛、爭取自由和平等的獨(dú)立意識(shí)，呼喚兩性和諧共存的社會(huì)新秩序。
[Abstract]:Angela Carter is a famous female writer in English literary circles in the 20th century. Her masterpiece Circus Night is one of the most attractive contemporary works. Carter took a clear-cut stand in expressing his feminist views and openly regarded himself as a feminist writer. The rich and diverse feminist thoughts and deep concern for women in his works naturally became the focus of critical attention. However, there is little systematic research on the equally rich carnival characteristics in circus night, and the research on the combination of the two is even rarer. Therefore, based on Bakhtin's carnival theory and supplemented by feminist theory, this paper systematically expounds how the novel constructs a world of revelry that subverts the existing order, and analyzes how Carter, through coronation, takes off the coronation and grotesque body. Laugh masochism and other carnival characteristics to achieve its deconstruction of dual opposition, subversion of the patriarchal ideology of gender construction and reconstruction of the feminist goal of harmonious gender relations. In the introduction part of the thesis, the writer's works are briefly introduced, and the historical process of Angela Carter's research at home and abroad and the related comments on Circus Night are emphatically recounted, and the space and possibility for further exploration are put forward. The basic frame structure of the thesis is also summarized. The main part of the thesis is divided into four chapters. The first chapter introduces Bakhtin's carnival theory, its relationship with feminist theory and its applicability to the study of novel texts. The second chapter excavates the carnival characteristic of the novel. The paper holds that the carnival of time and space and image in the novel, the intimate contact between characters with carnival characteristics, the use of carnival square language together construct a carnival world, thus breaking and deconstructing the inherent rules, standards and traditions. Overturning the hierarchical real world. In this way, Carter cleared up all kinds of restrictions under the patriarchal hierarchy system and laid the foundation for the further realization of his feminist goal. Chapter three focuses on the subversion and deconstruction of duality in the coronation and de-coronation ceremony, and thinks that Carter's coronation / discoronation of the characters and plot in the classic fairy tales, mythology and plots is intended to expose the fairy tales. The deceptive nature of mythology and its purpose of indoctrinating women, meanwhile, the novel also plays a role in subverting the dualistic opposition of men and women to the rewriting of the plot, and coronating religious ceremonies and the image of the participants. The purpose of de-coronation is to weaken the sacred position of religion in dualistic opposition, and to coronate animals and deconstruct the dualistic relationship between human beings and animals in the novel. Dualistic antagonism is the cornerstone of patriarchal society. Carter deconstructed the dualistic model by coronation, and challenged the authority of patriarchal system. Chapter four expounds how Carter achieves her feminist goal through grotesque female body and carnival laughter. In addition, this chapter also discusses Carter's attempts to achieve her feminist goals in the carnival atmosphere, including the love and concern among women of the same sex and the construction of pure female utopia. Such attempts to completely ignore the role of men clearly cannot go any further in practice, and Carter finally determines that men and women are equal, and that genuine love is the key to achieving a free and harmonious life for both sexes. The results show that as a typical carnival novel, Circus Night constructs a carnival world. The ultimate goal of this subversive carnival is to accuse and resist the patriarchal ideology in which women are ruled and oppressed, and awaken the independence consciousness of women breaking free from bondage and striving for freedom and equality. Call for the harmonious coexistence of the new social order.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I561.074

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