本文選題：《背叛》 + 婚外情�。� 參考：《外國文學研究》2013年06期

【摘要】：哈羅德·品特于1978年創(chuàng)作的《背叛》是一部關(guān)于婚姻出軌的倫理劇。劇中杰瑞與愛瑪之間的"婚外情"揭示出人是一個斯芬克斯因子的存在,體現(xiàn)出理性意志、自由意志和非理性意志之間的倫理沖突。因"欲"而起的"婚外情"是其自由意志沒有得到抑制、擺脫道德責任的非理性意志占據(jù)上風的結(jié)果。激情過后,自由意志的力量漸漸減弱,理性的回歸成為必然。杰瑞的歸家選擇是其倫理意識回歸的表現(xiàn),其間,理性意志起到了關(guān)鍵性的作用。通過"倒敘"的敘事結(jié)構(gòu),作者將劇中"婚外情"行為還原至20世紀六十年代及七十年代后期兩個不同時代的倫理現(xiàn)場,對之加以客觀呈現(xiàn),說明意志沖突導致或抑制"婚外情"的原因是在不同的倫理語境中形成的。這部劇作對于當代中國構(gòu)建和諧的婚姻倫理關(guān)系也有著重要的道德警示作用。
[Abstract]:Harold Pinter's "betrayal" in 1978 is an ethical play about marital infidelity. The extramarital affair between Jerry and Emma reveals that man is the existence of a Sphinx factor, reflecting the ethical conflict between rational will, free will and irrational will. The extramarital affair arising from desire is the result of the unrestrained free will and the superiority of irrational will to get rid of moral responsibility. After passion, the strength of free will gradually wanes, the rational return becomes inevitable. Jerry's choice of home is the return of his ethical consciousness, during which rational will plays a key role. Through the narrative structure of "flashback", the author restores the behavior of "extramarital affair" to the ethical scene of two different times in the 1960s and late 1970s, and presents it objectively. It shows that the cause of the conflict of will to cause or suppress extramarital affairs is formed in different ethical contexts. This play also plays an important moral warning role in the construction of harmonious marriage ethical relationship in contemporary China.
【作者單位】： 中南財經(jīng)政法大學外國語學院;
【基金】：作者主持的2009年度國家社科基金項目“英國20世紀戲劇研究”【項目批號:09BWW011】的階段性成果
【分類號】：I561.073

【相似文獻】

相關(guān)期刊論文 前10條

1 蘇新連;;厄普代克的“小鎮(zhèn)”[J];中國礦業(yè)大學學報(社會科學版);2008年02期

2 黃芳;一段婚外情的悲劇——評渡邊淳一的《失樂園》[J];西安外國語學院學報;2000年01期

3 周文s，

本文編號：1817396