本文選題：悖論 + 驚異�。� 參考：《上海師范大學(xué)》2012年碩士論文

【摘要】：奧斯卡?王爾德（Oscar Wilde）作為英國唯美主義的代表人物，創(chuàng)作了為數(shù)眾多的唯美主義文學(xué)作品，對唯美主義的發(fā)展和壯大起了很大作用。本文將從悖論的角度通過詞語推敲和文本細(xì)讀來闡釋王爾德的唯美藝術(shù)。 論文分四個部分，第一部分簡單介紹了唯美主義的發(fā)展歷程以及王爾德在唯美主義流派中的影響。第二部分以王爾德作品著名的悖論語句為研究對象。首先通過收集王爾德各類作品中的著名悖論語言，分析后將其分為兩大類：愛情婚姻類和生活哲理類。除了這兩個題材上的分類外，根據(jù)王爾德一些言論中的明顯悖論特征，又闡述了以下兩類悖論語言：似非而是和反自我涉及。通過運(yùn)用布魯克斯的悖論理論對這些悖論語言做詳細(xì)的分析和梳理，探討其藝術(shù)功效，并指出王爾德通過悖論藝術(shù)的運(yùn)用更深刻地批判了維多利亞社會的庸俗和虛偽。第三部分以王爾德小說（《道連?格雷的畫像》），，戲�。ā渡瘶访馈罚┖屯挘▋刹客捈┲械拇碜鳛檠芯繉ο�，根據(jù)國內(nèi)一些學(xué)者的相關(guān)研究成果，并以自己收集的國外研究為基礎(chǔ)，通過文本細(xì)讀方法，對王爾德藝術(shù)作品中的各種悖論進(jìn)行分類和深入研究，發(fā)現(xiàn)王爾德在這些作品中無一類外都探討了以下幾個悖論：美與丑、道德和自由、靈與肉的悖論，并且可以看得出來這些悖論之間有著明顯的聯(lián)系：不論悖論語言還是悖論敘述都是王爾德的唯美主義思想的外在表現(xiàn)。通過分析各種悖論背后的源流和根基，得出結(jié)論：所有悖論的根源就是唯美主義本身的悖論——藝術(shù)和現(xiàn)實(shí)的二律背反關(guān)系所導(dǎo)致。 論文最后一部分通過分析王爾德一生的生活軌跡，結(jié)合其藝術(shù)作品中的悖論思想，對全文作一總結(jié)，旨在闡明王爾德無時無刻不在的悖論思想不僅組成其各種作品，也注定王爾德自己的人生命運(yùn)，而且對唯美主義流派產(chǎn)生重大影響。
[Abstract]:Oscar? As a representative figure of British aestheticism, Wang Erde and Oscar Wilde created a large number of aesthetic literary works, which played a great role in the development and expansion of aestheticism. This article will explain Wang Erde's aesthetic art through word examination and text reading from the angle of paradox. The first part introduces the development of aestheticism and Wang Erde's influence in aestheticism. The second part focuses on the famous paradox sentences in Wang Erde's works. Firstly, by collecting the famous paradoxical language in Wang Erde's works, it is divided into two categories: love and marriage and philosophy of life. In addition to the classification of these two subjects, according to Wang Erde's obvious paradoxical features in some comments, the following two kinds of paradoxical language are elaborated: paradox and anti-self-involvement. By using Brooks' paradox theory, this paper makes a detailed analysis and combing of these paradoxical language, discusses its artistic efficacy, and points out that Wang Erde criticizes the vulgarity and hypocrisy of Victorian society more deeply through the application of paradoxical art. The third part is based on Wang Erde's novel ("Dorian"? Gray's Portrait. The representatives in drama (Salome) and Fairy Tales (two collections of Fairy Tales) as research objects. According to the relevant research results of some domestic scholars, and based on their own collection of foreign research, through the text reading method, Through the classification and in-depth study of various paradoxes in Wang Erde's works of art, it is found that Wang Erde has explored the following paradoxes in all these works: beauty and ugliness, morality and freedom, and the paradox of spirit and flesh. It can also be seen that there is a clear relationship between these paradoxes: both paradox language and paradox narration are the external manifestations of Wang Erde's aestheticism. By analyzing the source and foundation behind all kinds of paradoxes, it is concluded that the root of all paradoxes is the paradox of aestheticism itself, which is caused by the anti-relations between art and reality. In the last part of the thesis, by analyzing Wang Erde's life track and combining with his paradoxical thoughts in his works of art, the thesis summarizes the whole thesis, aiming to clarify that the paradox thought of Wang Erde is not only composed of his various works. Also doomed Wang Erde's own life destiny, and to the aestheticism school has the important influence.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I561.06

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