發(fā)布時間：2018-04-15 19:51

  本文選題：�？思{ + 《押沙龍��； 參考：《首都師范大學》2012年碩士論文

【摘要】：有的人認為福克納是一名扎根于南方文學傳統(tǒng)的鄉(xiāng)土作家,從他的作品中能感受到深深的“南方性”：同時也有許多學者視他為世界現(xiàn)代主義實驗中的重要人物,認為《押沙龍,押沙龍!》是繼喬伊斯之后小說寫法方面的終極性根本創(chuàng)新。通過對《押沙龍,押沙龍》這部作品的分析,我們可以發(fā)現(xiàn)�？思{巧妙地把南方文學傳統(tǒng)和現(xiàn)代主義藝術技法相融合：他一方面繼承了南方文學傳統(tǒng)中家庭文學、莊園文學、哥特式小說等傳統(tǒng),并在此基礎上加以創(chuàng)新,形成他自己的風格；另一方面他在創(chuàng)作手法上大膽的實驗與嘗試同樣引人注目,為現(xiàn)代小說的發(fā)展作出了重要的貢獻。就《押沙龍,押沙龍!》而論,小說中南方文學的傳統(tǒng)題材中有著現(xiàn)代的發(fā)展,創(chuàng)造性技法的運用同樣是服務于傳統(tǒng)題材和傳統(tǒng)的敘事追求,他把我們熟知的傳統(tǒng)南方故事用現(xiàn)代的藝術手法展現(xiàn)出來,從而混合生成了獨特的審美效果。 本文主要分為三個部分,第一部分概述了《押沙龍,押沙龍!》所反映的南北戰(zhàn)爭前后的南方社會思想狀態(tài),南方人保守的向后看的思想,奠定了《押沙龍,押沙龍!》這部小說的思想基礎。重點分析了南方傳統(tǒng)文學中的家庭小說在《押沙龍,押沙龍!》中的繼承與創(chuàng)新,甚至反叛。�？思{在文學史中的重要地位,又影響了后來作家的創(chuàng)作。 第二部分談到《押沙龍,押沙龍!》的創(chuàng)作正值現(xiàn)代主義文學興起時,小說中流露出了許多的現(xiàn)代因素,論及小說中的時序顛倒倒錯,意識流表現(xiàn)手法,多重敘述層次,開放式的結構形態(tài),借用希臘神話和圣經(jīng)故事的象征和隱喻等。 第三部分是在前兩部分的基礎上討論了福克納在《押沙龍,押沙龍!》中獨特的藝術風格和審美效果。他保留了在小說中講故事的傳統(tǒng)方式,在他的小說里設置情節(jié)沖突,增強故事性；同時《押沙龍,押沙龍!》中營造出的哥特式風格,這是為塑造人物形象(羅沙)和小說主題服務的；小說中立體的,層疊式的結構使各種聲音交匯在一起,類似音樂中的四重奏。在此也體現(xiàn)出來�？思{在小說創(chuàng)作形式和內(nèi)容上的高度統(tǒng)一。
[Abstract]:Some people think that Faulkner is a native writer rooted in the tradition of southern literature, and can feel a deep "southern nature" from his works. At the same time, many scholars regard him as an important figure in the world modernism experiment.Absalom, Absalom! is the ultimate innovation in novel writing after Joyce.Through the analysis of Absalom, Absalom, we can find that Faulkner skillfully combines Southern literary tradition with modernist art techniques: on the one hand, he inherits family literature and manor literature in Southern literary tradition.On the other hand, his bold experiments and attempts in creative techniques have made great contributions to the development of modern novels.As far as Absalom, Absalom! > is concerned, there is a modern development in the traditional themes of southern literature in novels, and the application of creative techniques is also the pursuit of narration serving traditional themes and traditions.He combined the traditional Southern stories, which we know, with modern artistic techniques, to produce a unique aesthetic effect.This paper is divided into three parts. The first part gives an overview of the ideological state of the South before and after the Civil War, which is reflected in Absalom, Absalom!, and the conservative backward thinking of southerners, which lays the foundation of Absalom.Absalom! > the ideological basis of this novel.This paper focuses on the inheritance and innovation of family novels in Absalom, Absalom! and even rebellion.Faulkner's important position in the history of literature also influenced the later writers.The second part talks about the creation of "Absalom, Absalom!!" when modernist literature is on the rise. Many modern factors are revealed in the novel, and the time sequence in the novel is reversed and wrong, the expression of stream of consciousness, and many levels of narration are discussed.Open structure, the use of Greek mythology and biblical stories of symbols and metaphors.The third part discusses Faulkner's unique artistic style and aesthetic effect in Absalom, Absalom!.He retains the traditional way of telling stories in his novels, setting up plot conflicts in his novels to enhance the story, and the Gothic style created in "Absalom, Absalom!"This is for the creation of characters (Rosa) and the theme of the novel; the three-dimensional, cascading structure of the novel brings together various sounds, similar to a musical quartet.Faulkner's form and content of novel creation are highly unified.
【學位授予單位】：首都師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I712.074

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本文編號：1755533