本文選題：蒼狼 + 牝鹿�。� 參考：《湖南大學》2012年碩士論文

【摘要】：井上靖（1907～1991），作家，評論家和詩人，，是一位大量取材中國歷史、特別是從中國史傳文學為素材進行創(chuàng)作的當代著名作家。 通過對井上靖先行研究成果的總結，筆者認為目前對《蒼狼》的研究還有其發(fā)展的空間，有研究的意義。該論文將以新批評主義的文本分析法為基本方法，所據(jù)為參考且視為文獻的研究資料包括中、日語相關之傳記、歷史文獻、評論、著作集、期刊論文等。 筆者采用新批評主義，結合作家個人經歷，建立作品與作家之間的聯(lián)系，剖析《蒼狼》中井上靖的女性觀，挖掘《蒼狼》這部中國題材歷史小說中井上靖的女性觀的內涵。 首先、井上靖小說中關于女性的描寫富于獨特的審美取向，因而關于井上靖女性觀的研究是解讀其作品的一把鑰匙。在筆者所知范圍內，關于井上靖的女性觀的研究，因取材作品散而雜，對井上靖的女性觀的把握還不夠深入。在廣泛閱讀了井上靖文學作品之后，筆者認為《蒼狼》在井上靖作品群中所塑造的女性群體像是最豐富的，如果說男性群體像是《蒼狼》這部作品的骨架，那么女性群體像便是《蒼狼》的血肉，是這部作品打動人心的根本。 其次、以“《蒼狼》論爭”為主軸的文體研究經歷了二十世紀六十年代的研究高潮，已經成熟，同時《蒼狼》的歷史小說的特點，通過中日兩國研究者的努力與相互借鑒和交流，也得出了完整的結論；以成吉思汗的個人奮斗史與成功史為中心，著重描寫《蒼狼》中的男性群體像的研究在中日兩國都有學者關注并取得了一定的研究成果。 第三、在井上靖的女性觀的研究方面，第一類研究主要考察了井上靖作品中的女性形象，但忽略了作家與作品之間的聯(lián)系，無法闡明井上靖筆下的女性形象的創(chuàng)作淵源；筆者認為，只有在建立作家和作品之間聯(lián)系的基礎上，說明井上靖的女性觀對其創(chuàng)作女性形象的作用，才能闡明井上靖筆下的女性形象的創(chuàng)作淵源；第二類研究雖然結合了作家個人經歷，但其研究對象龐大冗雜，導致分析缺乏力度和深度；筆者認為只有對研究對象加以甄選，去粗取精，才能使女性觀點分析論據(jù)充分，使研究富于力度和深度；因而，本研究的發(fā)展空間和意義比較大。
[Abstract]:Inoue Yasushi, a writer, critic and poet in 1907, is a famous contemporary writer who draws a lot of materials from Chinese history, especially from Chinese historical biographical literature.Based on the summary of Inoue Yasushi's previous research results, the author thinks that there is room for development and significance in the study of the wolf.This paper will be based on the neo-critical text analysis method. The research materials to be referred to and regarded as literature include Chinese and Japanese-related biographies, historical documents, reviews, collections of works, journal papers, etc.By using Neo-criticism and personal experience, the author establishes the relationship between the works and the writer, analyzes Inoue Yasushi's view on women in the Wolf, and excavates the connotation of Inoue Yasushi's view on women in the historical novel of Chinese theme.First of all, the description of women in Inoue Yasushi's novels is full of unique aesthetic orientation, so the study of Inoue Yasushi's view of women is a key to the interpretation of his works.As far as I know, the research on Inoue Yasushi's view of women is not deep enough because of the scattered material works.After extensive reading of Inoue Yasushi's literary works, the author thinks that the female group in Inoue Yasushi's works is the most abundant, and if the male group is like the skeleton of this work,Then the female group image is the flesh and blood of the wolf, which is the root of this work.Secondly, the stylistic study, which is based on the controversy of "the wolf", has experienced the climax of the 1960s and has matured, and the characteristics of the historical novel of "the wolf".Through the efforts of the Chinese and Japanese researchers and their mutual reference and exchanges, they have also drawn a complete conclusion. Taking Genghis Khan's history of personal struggle and success as the center,Studies focusing on the description of male group figures in Wolf have been paid attention to by scholars in both China and Japan and some research results have been obtained.Third, in the study of Inoue Yasushi's view of women, the first kind of study mainly examines the female image in Inoue Yasushi's works, but neglects the relation between the writer and the work, and cannot clarify the origin of the female image in Inoue Yasushi.The author thinks that only on the basis of establishing the connection between the writer and the works, can we clarify the origin of the female image in Inoue Yasushi's works by explaining the role of Inoue Yasushi's view of women on her creation of female image;Although the second kind of study combines the writer's personal experience, its research object is huge and miscellaneous, which leads to the lack of strength and depth of the analysis.The research is rich in strength and depth, therefore, the development space and significance of this study is relatively large.
【學位授予單位】：湖南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I313.074

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本文編號：1743533