本文選題：試論 + 松門(mén)�。� 參考：《文藝爭(zhēng)鳴》2013年05期

【摘要】：正近松門(mén)左衛(wèi)門(mén),是日本江戶時(shí)代古典戲劇作家,享有"日本莎士比亞"的盛譽(yù)。他一生共創(chuàng)作了人形凈琉璃劇目120余篇。既有對(duì)英雄傳說(shuō)、歷史故事的加工、潤(rùn)色,也有對(duì)時(shí)下市井生活、新聞事件的借鑒和改編。在近松的再整合、再創(chuàng)造的過(guò)程中,很多作品的主題出現(xiàn)了重心位移或根本轉(zhuǎn)換,人物形象的刻畫(huà)也產(chǎn)生了相應(yīng)的轉(zhuǎn)變,而
[Abstract]:Is near the Matsumoto left door, is the Japanese Edo era classical drama writer, enjoys "Japanese Shakespeare" the reputation.In his life, he has created more than 120 plays in the form of pure glaze.There are not only heroic legends, historical stories processing, polish, but also to the market life, news events reference and adaptation.In the process of re-integration and re-creation, the theme of many works has been shifted or fundamentally changed, and the portrayal of characters has also produced corresponding changes.
【作者單位】： 吉林大學(xué)外國(guó)語(yǔ)學(xué)院;
【分類(lèi)號(hào)】：I313.073
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本文編號(hào)：1731415