本文選題：卡夫卡　切入點(diǎn)：藝術(shù)家形象　出處：《天津師范大學(xué)》2014年碩士論文

【摘要】：在二十世紀(jì)的世界文壇,卡夫卡無疑是最炙手可熱的明星。他在思想上的深度,他在性格上的孤獨(dú),他在創(chuàng)作方法上的獨(dú)樹一幟,以及他作品的多義性多年來一直是各方學(xué)者研究和爭(zhēng)論不休的主題。 卡夫卡的創(chuàng)作生涯十分短暫,因而留世的作品不多。但是在他創(chuàng)作的文本當(dāng)中,卻總是有各種各樣的藝術(shù)家形象重復(fù)出現(xiàn),他們有的是歌手,有的是雜技演員,有的是畫家,甚至還有饑餓藝術(shù)家……可以說這是一個(gè)龐大的不可忽略的群體。本文從卡夫卡創(chuàng)作中的“藝術(shù)家”形象入手,對(duì)其進(jìn)行了深入的解讀。全文共分為六大部分,包括緒論,正文四章,和結(jié)語。第一部分為緒論,主要介紹卡夫卡的影響,國(guó)內(nèi)對(duì)卡夫卡的研究綜述,以及選題的意義。正文第一章明確論文主題“藝術(shù)”和“藝術(shù)家”的定義,并對(duì)西方作家作品中的典型藝術(shù)家形象進(jìn)行了梳理。第二章分節(jié)介紹了卡夫卡對(duì)于藝術(shù)創(chuàng)造的看法,對(duì)于觀眾的看法,以及尼采對(duì)卡夫卡藝術(shù)觀形成的重要影響,是解讀卡夫卡創(chuàng)作中藝術(shù)家形象的必要前提。第三章把卡夫卡創(chuàng)作中的藝術(shù)家形象整理成四類,即孤傲驕縱型、冷酷世俗型、焦慮恐懼型和向死而生型,并且分節(jié)概括了這四類藝術(shù)家的類型特征。第四章進(jìn)而發(fā)掘卡夫卡創(chuàng)作中藝術(shù)家形象的深層內(nèi)涵,他們是卡夫卡荒誕手法的執(zhí)行者,是生存困境的彰顯者,也是卡夫卡創(chuàng)作觀的完美映照者。最后一部分為結(jié)語,是對(duì)文章結(jié)論的概括。
[Abstract]:Kafka is undoubtedly the hottest star in the world of the 20th century. His depth of thought, his loneliness in character, his uniqueness in creative methods, And the polysemy of his works has been the subject of many scholars for many years. Kafka's writing career was so short that he did not have much work left in the world. But in the texts he wrote, there were always various images of artists, some of whom were singers, some of them acrobats, and some of them painters. There are even hungry artists. It can be said that this is a huge group that can not be ignored. This paper starts with the image of "artist" in Kafka's creation, and makes an in-depth interpretation of it. The full text is divided into six parts, including the introduction. The main body four chapters, and the conclusion. The first part is the introduction, mainly introduces Kafka's influence, the domestic research summary to Kafka, as well as the significance of the selected topic. The first chapter of the text clarifies the definition of "art" and "artist". The second chapter introduces Kafka's views on artistic creation, audience, and Nietzsche's important influence on the formation of Kafka's view of art. The third chapter arranges the artist image in Kafka's creation into four categories, that is, solitary pride, cold secular, anxious fear and dying. Chapter four explores the deep connotation of the artist's image in Kafka's creation. They are the executors of Kafka's absurd technique and the manifestation of the plight of existence. It is also the perfect reflection of Kafka's view of creation. The last part is the conclusion of the article.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I521.074

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本文編號(hào)：1688882