本文選題：普魯斯特　切入點(diǎn)：《駁圣伯夫》　出處：《遼寧大學(xué)》2012年碩士論文

【摘要】：普魯斯特的《駁圣伯夫》以反對(duì)藝術(shù)創(chuàng)作中的實(shí)證主義、唯物主義為旨?xì)w，摒棄粗陋的表面，割斷與表象的聯(lián)系，主張“深入到生命的深處”，認(rèn)為藝術(shù)作品只有在精神領(lǐng)域才可能被創(chuàng)造出來(lái)，強(qiáng)調(diào)創(chuàng)造要有“寫人所具備的本質(zhì)和深在的一切”，真正達(dá)到“內(nèi)在的真實(shí)”，以求文藝作品達(dá)到永恒之境。為此他在該書中寫有大量經(jīng)驗(yàn)性的段落和針對(duì)圣伯夫觀念的批駁，，結(jié)合實(shí)例提出一系列觀點(diǎn)和方法，如關(guān)于直覺、印象、回憶以及情感、經(jīng)歷等等在文學(xué)創(chuàng)造中起的作用，時(shí)間與空間變化的處理手法以及對(duì)奈瓦爾、波德萊爾、巴爾扎克的評(píng)論等等；他并不否認(rèn)智力或理性在藝術(shù)創(chuàng)作中的作用，但認(rèn)為藝術(shù)創(chuàng)造的基礎(chǔ)主要還是來(lái)自于感受力或直覺本能。在他看來(lái)，藝術(shù)全在于藝術(shù)家的主觀方面，是起到?jīng)Q定作用的因素，而現(xiàn)實(shí)世界甚至人們所熟知的其他事物只能是藝術(shù)家所采用的物質(zhì)材料，是為實(shí)現(xiàn)其既定的藝術(shù)目的而服務(wù)的工具，是處于從屬地位的因素。可以說(shuō)，在《駁圣伯夫》中普魯斯特的文藝思想清晰明辨，既有具體的討論，又有所側(cè)重的，可謂自成體系而又有著現(xiàn)代主義美學(xué)觀在“閃光”，這也正是本文研究和探討普魯斯特文藝思想的意義之所在。
[Abstract]:Proust's refutation of St. Bergh aims at opposing positivism and materialism in artistic creation, abandoning the crude surface and cutting off the connection with appearance. Advocating "going deep into the depths of life" and believing that works of art can only be created in the spiritual realm, Emphasizing that creation requires "writing about the essence and depth of human beings" and truly achieving "inner reality" in order to achieve the eternal state of literary and artistic works. For this reason, he has written a great deal of empirical paragraphs in the book and refuted the concept of Saint Bergh, A series of viewpoints and methods such as the role of intuition, impressions, memories and emotions, experiences, etc. in literary creation, the handling of temporal and spatial changes, and the treatment of Naivall, Baudelaire, etc. Balzac's comments and so on; he does not deny the role of intelligence or reason in artistic creation, but thinks that artistic creation is based mainly on sensibility or intuition. In his view, art is all about the artist's subjective aspect. Is the determining factor, and the real world and even the other things that are well known can only be the material materials used by the artist, a tool for the achievement of his established artistic purpose, a subordinate factor... Proust's literary and artistic ideas are clearly and clearly distinguishable in the refutation of St. Bergh, which has both specific discussions and some emphases. It can be said that there is a "flash" of modernist aesthetics, which is the significance of the study and discussion of Proust's literary and artistic thoughts.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I565.06

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

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2 趙松;;一天上午能回憶什么——關(guān)于普魯斯特的《駁圣伯夫》[J];書城;2011年07期

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