本文選題：《都柏林人》　切入點：喬伊斯　出處：《河北師范大學》2012年碩士論文　論文類型：學位論文

【摘要】：喬伊斯是現(xiàn)代歐洲文學最重要的作家之一。他的巔峰之作《尤利西斯》和《芬尼根的覺醒》贏得了無數(shù)美譽，只可惜因深奧晦澀的意識流技巧和試驗筆法而少人問津。他的早期習作、短篇小說集《都柏林人》卻以簡單的語言和獨特的藝術贏得了讀者和批評家的一致青睞。本文試圖借鑒巴赫金的狂歡化理論，深入分析《都柏林人》中的的部分狂歡化因素，并挖掘這部短篇小說集的杰出創(chuàng)作藝術。論文共分五部分：導論部分簡要介紹了《都柏林人》的國內(nèi)外研究現(xiàn)狀，巴赫金狂歡化理論中的脫冕和加冕、笑聲和戲仿、狂歡化場景的闡釋，以及論文的謀篇布局；接下三部分緊扣故事文本，對《都柏林人》中的15個故事進行層層梳理和分析。第一部分在簡要介紹每個文本大意的基礎上，深入剖析了各個故事中狂歡化脫冕和加冕的形式因素，發(fā)現(xiàn)它們大致可以分為三類：孩子與成人、女性與男性、世俗與宗教。隨著時間的推移，這些脫冕和加冕因素不斷加強并呈現(xiàn)多樣化趨勢。第二部分則詳盡分析了每個故事中的戲仿和由此產(chǎn)生的笑聲，歸納出戲仿和諷刺的因素越來越重；第三部分則挖掘了故事中的狂歡化場景：窗戶，樓梯和街道，并認為窗戶連接了故事中人物的內(nèi)在世界和外在世界，樓梯體現(xiàn)了森嚴的等級及相應的顛覆，街道在不同狂歡化場景之間起到緩沖和準備作用。結語部分總結概況了故事之間的狂歡化因素，認為《都柏林人》中的故事中的前后相互作用，使這部短篇小說集融匯成一個長篇巨著。
[Abstract]:Joyce is one of the most important writers of modern European literature. His masterpieces, Ulysses and Finnegan's Awakening, have won countless fame. It is a pity that his early works were not followed by the obscure techniques of stream of consciousness and experimental writing, Dubliners, a collection of short stories, has won the unanimous favor of readers and critics with its simple language and unique art. This paper attempts to draw lessons from Bakhtin's carnival theory and analyze some of the carnival factors in Dubliners. The paper is divided into five parts: the introduction briefly introduces the domestic and international research situation of the Dubliners, the coronation and coronation of Bakhtin's carnival theory, laughter and parody. The exposition of the carnival scene and the layout of the thesis, the following three parts are closely related to the text of the story, and the 15 stories in the Dubliners are sorted out and analyzed layer by layer. The first part is based on a brief introduction of the main ideas of each text. By analyzing the formal factors of coronation and coronation in various stories, we find that they can be roughly divided into three categories: children and adults, women and men, secular and religious. The second part analyzes the parody in each story and the laughter it produces, and concludes that the parody and satire are becoming more and more serious. The third part excavates the carnival scene in the story: windows, stairs and streets, and thinks that the windows connect the inner world and the external world of the characters in the story, the staircase embodies the strict hierarchy and the corresponding subversion. Streets play a buffer and preparation role between different carnival scenes. The conclusion summarizes the carnival factors among stories, and concludes that the interaction between the stories in Dublin Man, The collection of the short story was combined into a monumental work.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I562.074

【參考文獻】

相關期刊論文 前6條

1 陳法春;《都柏林人》的對應與不對應[J];天津外國語學院學報;1996年04期

2 胡向華;;從喬伊斯的《都柏林人》論抒情式短篇小說的藝術形式特色[J];天津外國語學院學報;2008年02期

3 李維屏;論喬伊斯的小說藝術[J];外國文學評論;2001年01期

4 李蘭生;從《姐妹》和《死者》看《都柏林人》的藝術特色[J];外國文學評論;1999年01期

5 郭軍;隱含的歷史政治修辭:以《都柏林人》中的兩個故事為例[J];外國文學研究;2005年01期

6 吳其堯;言近而旨遠，辭淺而義深──《都柏林人》中語言的反復現(xiàn)象淺析[J];外國語(上海外國語大學學報);1996年04期

，

本文編號：1632495