本文選題：伊麗莎白·畢肖普　切入點：海洋景觀　出處：《國外文學(xué)》2013年04期 　論文類型：期刊論文

【摘要】：旅行不但是美國杰出女詩人畢肖普創(chuàng)作靈感的來源,也是她探尋的主題;在開啟她的詩歌寫作方式的同時,還界定了她的詩歌意識和獨特的詩歌風(fēng)格;畢肖普旅行地理學(xué)中的核心則是海洋景觀。本文探討了由海洋景觀所生發(fā)出的四種自我類型:(1)記憶中的自我;(2)無根的自我;(3)冥想的自我;(4)欣悅的女性自我。畢肖普旅行地理學(xué)中的海洋景觀不但超越了美國女性詩歌的陳規(guī)范式,更燃亮了美國女性詩歌奇幻的卓越光芒。
[Abstract]:Travel is not only the source of inspiration for Bishop, an outstanding American poet, but also the theme she explores, and defines her poetic consciousness and unique poetic style while opening her way of poetry writing. The core of Bishop's traveling geography is the ocean landscape. This paper explores the four types of self born of marine landscape: 1) self in memory (2) rootless self 3) meditative self 4) happy female self. The oceanic landscape in popular travel geography not only transcends the stereotypical style of American women's poetry, It also brightens the remarkable light of American women's poetry.
【作者單位】： 美國新澤西學(xué)院英文系暨世界語言與文化系;
【分類號】：I712.072
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本文編號：1589629