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論詩(shī)與情感

發(fā)布時(shí)間:2018-03-03 12:07

  本文選題:詩(shī) 切入點(diǎn):情感 出處:《山東社會(huì)科學(xué)》2014年08期  論文類型:期刊論文


【摘要】:在對(duì)什么是詩(shī)的問(wèn)題的探討中,人們發(fā)現(xiàn)了詩(shī)歌與情感的關(guān)系。亞里士多德關(guān)于情感的"陶冶"(catharsis)觀點(diǎn)是歐洲文學(xué)中最早探討文藝的卡塔西斯功用的理論,他從文藝的功用、審美感受、心理反應(yīng)等方面討論了文藝影響情感的問(wèn)題。在浪漫主義時(shí)代,情感成為詩(shī)人所追求的最終藝術(shù)審美理想。在詩(shī)歌里,情感經(jīng)過(guò)理性的陶冶,自然情感轉(zhuǎn)變成了理性的倫理情感。詩(shī)歌的創(chuàng)作和審美欣賞都是同詩(shī)歌的創(chuàng)作者和欣賞者的倫理情感緊密聯(lián)系在一起的。情感是詩(shī)歌的源泉,沒(méi)有情感就沒(méi)有詩(shī)歌。就詩(shī)而言,情感的主體是詩(shī)人、讀者或批評(píng)者。情感只有轉(zhuǎn)化為倫理情感,詩(shī)歌才能升華。無(wú)論詩(shī)歌還是小說(shuō)或是戲劇,其價(jià)值都在于倫理價(jià)值。失去了道德的力量,文學(xué)就失去了靈魂。
[Abstract]:In the discussion of what is poetry, the relationship between poetry and emotion has been discovered. Aristotle's "edification" of emotion is the first Catassian theory in European literature to discuss the function of literature and art. In the Romantic era, emotion becomes the ultimate artistic aesthetic ideal pursued by the poet. In poetry, emotion is nurtured by reason. Natural emotion is transformed into rational ethical emotion. Poetry creation and aesthetic appreciation are closely related to the ethical feelings of the creator and the appreciator of poetry. Emotion is the source of poetry, without emotion there is no poem. As far as poetry is concerned, The subject of emotion is poet, reader or critic. Only when emotion is transformed into ethical emotion can poetry sublimate. Whether poetry or novel or drama, its value lies in ethical value. Without the power of morality, literature loses its soul.
【作者單位】: 華中師范大學(xué)文學(xué)院;
【分類號(hào)】:I106.2

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 謝健;馮建國(guó);;李煜詞中的女性審美意象和藝術(shù)自敘性[J];合肥師范學(xué)院學(xué)報(bào);2008年04期

2 歐明俊;胡方磊;;王維“詩(shī)中有畫(huà)”研究的回顧與反思[J];合肥師范學(xué)院學(xué)報(bào);2010年01期

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5 王木青;;戴望舒的詩(shī)美和詩(shī)論[J];安徽師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2006年03期

6 張曉s,

本文編號(hào):1560966


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