本文關(guān)鍵詞： 波德萊爾 憂郁 當(dāng)下經(jīng)驗(yàn) 死亡意象 女人意象　出處：《河北師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：波德萊爾及其詩歌以“憂郁”的基調(diào)著稱于世。本文便以“憂郁”為切入點(diǎn)走進(jìn)他的精神世界，挖掘的是“上帝死了”之后帶來的一種現(xiàn)代性文化危機(jī)。當(dāng)那種切己的生命經(jīng)驗(yàn)消失，剩下的只有荒誕的碎影，詩人目光所及之處到處是一片廢墟，波德萊爾正是站在這片廢墟之上，轉(zhuǎn)身去救贖那消失了的審美理想。以關(guān)乎人的生存狀態(tài)的眼光來研究波德萊爾，不僅對于波德萊爾所處的時(shí)代具有研究的意義，對于我們當(dāng)下社會也有著借鑒的作用。 本文分為三個(gè)部分： 第一部分，主要分析波德萊爾的審美理想與現(xiàn)實(shí)世界之間的斷裂，論“上帝缺席”的年代里，人的生命無所寄托，“生命經(jīng)驗(yàn)”嚴(yán)重匱乏，審美理想退回到黑暗之中，現(xiàn)實(shí)世界陷入無信仰的狀態(tài)。詩人的憂郁也正是來自于無信仰的現(xiàn)實(shí)世界與他遙遙眺望的審美理想之間的巨大張力。 第二部分，主要借助蘇珊.桑塔格“土星式的憂郁”，來闡釋波德萊爾的憂郁基調(diào)。主要分為三個(gè)方面：其一，孤獨(dú)感。孤獨(dú)是詩人在“人群”中的感受，“人群”的構(gòu)成相當(dāng)駁雜，成員來自于社會的各個(gè)階層，彼此之間的冷漠、欺騙與謊言讓詩人無所適從。其二，焦慮感。在冷漠“人群”中的孤獨(dú)引發(fā)了詩人對時(shí)代、對人本身的思考，作為時(shí)代的清醒者，詩人對此感到了焦慮。可以說，焦慮是他對生活最為直接的感受,是生命無法回歸本真之際的焦灼，也是對現(xiàn)實(shí)秩序的一種反抗。其三，廢墟意識。波德萊爾將巴黎勾畫成一幅廢墟式的末世圖景，而廢墟正是西方現(xiàn)代文明的隱喻，，詩人所能做的就是用一種憂郁式的目光將這幅末世圖景如實(shí)地記錄下來。 第三部分，以波德萊爾的詩歌創(chuàng)作為藍(lán)本，分析其中的兩個(gè)核心意象——“死亡意象”和“女人意象”，發(fā)掘其作品的憂郁基調(diào)�！八劳觥笔遣ǖ氯R爾理解現(xiàn)實(shí)世界的一個(gè)重要意象，他借助“腐尸”、“骷髏”等丑的物象來震撼人的內(nèi)心�！芭恕币彩窃娙怂P(guān)注的一個(gè)重要意象，在他的筆下“女人”有時(shí)是理想的化身，有時(shí)又是現(xiàn)實(shí)世界的寫照�！八劳鲆庀蟆币约啊芭艘庀蟆惫餐瑯�(gòu)成了“巴黎意象”。
[Abstract]:Baudelaire and his poems are famous for the tone of melancholy. What was excavated was a cultural crisis of modernity brought about by the death of God. When that kind of personal life experience disappeared, all that was left was an absurd shrewd, and the poet's eyes were full of ruins. Baudelaire stood on the ruins and turned to redeem the lost aesthetic ideal. To study Baudelaire in terms of the state of existence is of significance not only to the age in which Baudelaire lives, For our current society also has a reference role. This paper is divided into three parts:. The first part mainly analyzes the breakage between Baudelaire's aesthetic ideal and the real world. In the age of "God's absence", human life has no sustenance, "life experience" is seriously lacking, and aesthetic ideal falls back into darkness. The poet's melancholy comes from the great tension between the unbelieving real world and his aesthetic ideal. The second part explains Baudelaire's melancholy tone with the help of Susan Sontag's Saturn melancholy. It is divided into three aspects: first, Loneliness. Loneliness is the poet's feeling in the "crowd", the composition of "crowd" is rather mixed, members from all levels of society, between the indifference of each other, deception and lies so that the poet can not follow. Second, Anxiety. The loneliness in the cold "crowd" caused the poet to think about the times and people himself. As the sober person of the times, the poet felt anxiety about it. It can be said that anxiety is his most direct feeling of life. It is the anxiety of life when it is impossible to return to its true nature, and its resistance to the order of reality. Third, the consciousness of ruins. Baudelaire paints Paris as a picture of the ruins of the last world, which is the metaphor of modern Western civilization. All the poet could do was to record the picture with a melancholy look. The third part, based on Baudelaire's poetry creation, analyzes the two core images-" death image "and" woman image ", and explores the melancholy tone of his works." death "is an important image of Baudelaire's understanding of the real world. "woman" is also an important image that the poet pays attention to. In his works, "woman" is sometimes the embodiment of the ideal. Sometimes it is the portrayal of the real world. "the image of death" and "the image of women" together constitute the image of Paris.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I565.072

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