本文關(guān)鍵詞：《了不起的蓋茨比》新歷史主義分析　出處：《山東大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 菲茨杰拉德 新歷史主義 《了不起的蓋茨比》 爵士樂時(shí)代

【摘要】：弗·司各特·菲茨杰拉德(1986-1940)是二十世紀(jì)二十年代美國(guó)杰出的小說家之一,也是爵士樂時(shí)代重要的代表人物。兼為爵士樂時(shí)代的局內(nèi)人和局外人,菲茨杰拉德盡情享受了這一時(shí)代的物質(zhì)財(cái)富、放蕩生活和各色誘惑,同時(shí)又洞察到這個(gè)社會(huì)的腐朽本質(zhì),冷眼旁觀其同時(shí)代人的生活。 《了不起的蓋茨比》雖然被認(rèn)為是二十世紀(jì)英語名著之一,但是它起初并不引人注目。出版初期的銷售量和報(bào)刊評(píng)論都不是很理想。直到三十年代,尤其是菲茨杰拉德死后,其銷售量才開始穩(wěn)步上升。如今,它每年的銷售量都有近百萬冊(cè),同時(shí)也激發(fā)了大量的關(guān)于菲茨杰拉德和《了不起的蓋茨比》這部小說的理論研究和討論,甚至連續(xù)有三個(gè)不同的《了不起的蓋茨比》電影版本出現(xiàn)。說到這部小說的強(qiáng)烈而持久的吸引力,一些評(píng)論家認(rèn)為是來自菲茨杰拉德超群的小說描寫技藝使然,而另一些評(píng)論家則從歷史文化角度探討其長(zhǎng)久不衰的魅力。本論文試圖從一個(gè)更新的文學(xué)理論和歷史文化研究角度——新歷史主義角度來研究《了不起的蓋茨比》這部美國(guó)文學(xué)著作。 本論文寫作分為如下幾個(gè)部分： 首先在引言部分,論文簡(jiǎn)要介紹了作家菲茨杰拉德和作品《了不起的蓋茨比》,并探討了這部小說的國(guó)內(nèi)外研究趨勢(shì)和基本狀況。 在第一章至第三章的論文主體部分,論文按照“理論-文本分析”的結(jié)構(gòu),從新歷史主義理論出發(fā),根據(jù)新歷史主義的兩大核心概念——?dú)v史的文本性和文本的歷史性,對(duì)《了不起的蓋茨比》作了詳細(xì)的解讀。 第一章首先簡(jiǎn)述了新歷史主義這一理論框架及其背景,為接下來的文本分析做理論準(zhǔn)備。本章還就這一理論的發(fā)展背景,以及新舊歷史主義中“歷史”的不同內(nèi)涵進(jìn)行了比較研究。本章最后討論了新歷史主義的兩位主要代表：一位是該文學(xué)理論的創(chuàng)始人史蒂芬·格林布拉特,另一位是提出新歷史主義核心概念(歷史的文本性和文本的歷史性)的路易絲·阿德安·蒙特羅斯。 第二章在歷史的文本性這一理論概念引導(dǎo)下,探索這部小說中的真實(shí)歷史事件,并闡釋了這些歷史事件背后的深層含義。新歷史主義理論認(rèn)為文本記錄了歷史,并成為我們了解過去的一個(gè)窗口,但是由于每個(gè)歷史記錄者興趣、意識(shí)形態(tài)和認(rèn)知力不同,文學(xué)文本又不可避免的摻雜了主觀性。本章寫作選取了其中兩件歷史事件,并根據(jù)新歷史主義理論解讀這背后的意義：一是富勒-麥吉案件,它揭露了神秘財(cái)富的來源,并牽扯出了一個(gè)涉及多領(lǐng)域的龐大腐敗網(wǎng)絡(luò)；二是菲茨杰拉德與金妮維亞之見的愛情故事,展現(xiàn)了那個(gè)時(shí)代的人們是如何以追求金錢及物質(zhì)享受作為人生目標(biāo)而導(dǎo)致的悲劇結(jié)局的。 論文第三章從文本的歷史性這一角度出發(fā),探究了《了不起的蓋茨比》這部作品的外部因素,以及它對(duì)社會(huì)和歷史的發(fā)展所產(chǎn)生的影響。新歷史主義認(rèn)為,文學(xué)文本會(huì)受到社會(huì)歷史背景以及作者性格、意識(shí)形態(tài)和道德規(guī)范的影響,同時(shí)文本也有塑造歷史的力量。論文指出,二十世紀(jì)二十年代,社會(huì)經(jīng)歷了迅速的變化,菲茨杰拉德的特殊家庭背景也在他身上留下的印記,在文學(xué)創(chuàng)作方面,他受到了艾略特、斯賓格勒等作家的影響。這些特點(diǎn)在《了不起的蓋茨比》中有所體現(xiàn),作為二十世紀(jì)二十年代的一部偉大作品,《了不起的蓋茨比》對(duì)社會(huì)發(fā)展也產(chǎn)生了深刻的影響。 論文的最后結(jié)論部分整體回顧了這篇論文,并重點(diǎn)介紹了論文的現(xiàn)實(shí)意義和寫作價(jià)值。根據(jù)新歷史主義理論,文學(xué)研究和批評(píng)不僅會(huì)受到文本創(chuàng)作的社會(huì)歷史背景的影響,還會(huì)受到文學(xué)研究評(píng)論的社會(huì)歷史背景的影響。因此,新歷史主義鼓勵(lì)不同時(shí)代背景下的持續(xù)性文學(xué)研究。當(dāng)今中國(guó)社會(huì)在某些方面與爵士樂時(shí)代十分相似。作為一種理論研究方法,新歷史主義提供了一個(gè)獨(dú)特的研究歷史與文本關(guān)系的視角。因此,本論文試圖從新歷史主義角度分析《了不起的蓋茨比》,旨在以作品主人翁錯(cuò)誤的人生追求導(dǎo)致的人生悲劇的教訓(xùn)警示世人,幫助人們樹立正確的人生觀價(jià)值觀。
[Abstract]:F Scott Fitzgerald (1986-1940) is one of the outstanding American novelist in the 1920s, is also the important representative figure of the jazz age. And for the Jazz Age insiders and outsiders, Fitzgerald enjoy the era of material wealth, debauchery and temptations, and insight into the corruptive nature of the society, even his contemporaries life.
"The great Gatsby" although considered one of the twentieth Century English masterpiece, but it was not noticeable. Publishing and press early sales are not very ideal. Until 30s, especially after the death of Fitzgerald, its sales began to rise steadily. Now, it has annual sales of nearly one million, but also to stimulate the the number of the novel Fitzgerald and the great Gatsby < > theory research and discussion, there are even three different "great Gatsby > movie version of the novel. When it comes to strong and lasting appeal, some critics from Fitzgerald's excellent novel art dictates, while other critics from the perspective of history and culture to explore its enduring charm. This thesis attempts from an update of the literary theory and the historical and cultural research Angle - a new historicist perspective to study the great Gatsby works in American literature.
The writing of this thesis is divided into the following parts:
First, in the introduction part, the paper briefly introduces the writer Fitzgerald and his work, the great Gatsby, and explores the research trend and basic situation of the novel at home and abroad.
In the first chapter to the third chapter of the main part of the thesis, according to the structure of "theory text analysis", from the perspective of new historicism, according to a new historical two core concepts: the history of the text and text of history, the "great Gatsby > explained in detail.
The first chapter briefly introduces the theoretical framework of New Historicism and its background, to make theoretical preparation for the next text analysis. The chapter on the development background of this theory, and the old and New Historicism in the different connotations of "history" were studied. Finally this chapter discusses two main representative of New Historicism A: Stephen Greenblatt is the founder of this literary theory, the other is a proposed core concepts of New Historicism (historical text and text of the history of Louise Adrian Montrose).
In the second chapter, the textuality of history under the guidance of this novel in the real historical events, and explains the deep meaning behind these historical events. New Historicism theory believes that the text record history, and become a window for us to know about the past, but because each historical record of interest, ideology and cognition, literary text is inevitably involved with subjectivity. This thesis selects two pieces of historical events, and according to the theory of New Historicism interpretation of the meaning behind it: one is the Fuller McGee case, it reveals the mysterious source of wealth, and throws up a huge network of corruption involving the field is two; Fitzgerald and Kim Vida Asia see love story, to show how people of that time in the pursuit of money and material enjoyment and lead as a goal of life tragedy The end of the play.
In the third chapter, from the angle of historical text, explores the external factors of the great Gatsby < > this work, and its impact on the social and historical development. New Historicism holds that literary texts will be influenced by social historical background and character of the writer, the ideology and the influence of moral norms, at the same time the text also has the power to shape history. The paper pointed out that in 1920s, the society has experienced rapid changes, Fitzgerald's special family background left in him mark in literary creation, he was Eliot, Spengler and other writers. The influence of these characteristics embodied in the "great Gatsby", as a works in 1920s, "the great Gatsby > on social development has had a profound impact.
The final conclusion part of the whole review of this thesis, and introduces the practical significance and value of writing. According to the theory of new historicism, influence of literary research and criticism not only by text creation of the social and historical background, is also affected by the review literature research historical and social background. Therefore, persistent literature research the different background of encouraging new historicism. In some respects, and today is very similar to the Jazz Age China society. As a theoretical research methods, New Historicism provides a unique view of history and text. Therefore, this thesis attempts to analyze the "great Gatsby" from the perspective of new historicism, warning the world aims to master lessons works wrong in pursuit of life tragedy, to help people establish a correct outlook on life and values.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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本文編號(hào)：1412912