本文關(guān)鍵詞：麥卡勒斯兩部小說中兩個青春期少女追求自由問題研究　出處：《湖南大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

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【摘要】：卡森·麥卡勒斯是二十世紀(jì)美國南方文學(xué)的代表人物之一，她對青春期少女的描寫，由于帶有濃厚的自傳色彩，具有重要的研究意義。 本文主要以《心是孤獨的獵手》和《婚禮的成員》兩部作品作為研究文本，，兩部作品中的女主人公米克和弗蘭淇為研究對象，運用弗洛姆關(guān)于人類生存困境的理論，結(jié)合西蒙娜·德·波伏娃的女性“他者”地位的觀點，從自由和愛的角度分析兩位青春期少女在走向獨立和成熟的過程中作為“他者”的形象是如何在孤獨中不斷掙扎，尋求自由和自我真實身份，最終以失去自我的代價成長為南方淑女的過程，并探討了兩位女主人公追尋夢想和愛最終失敗的深層原因。 通過對麥卡勒斯生平的分析得出米克和弗蘭淇深受麥卡勒斯童年孤僻性格的影響，她們身上有著和麥卡勒斯一樣強烈的男性氣質(zhì)并對愛有著執(zhí)著的追求。她們離經(jīng)叛道的行為在傳統(tǒng)的南方父權(quán)文化下顯得格格不入，深受孤獨壓抑之苦。為了擺脫這種孤獨，她們采取了各種方式來實現(xiàn)自我身份。或向社會權(quán)威妥協(xié)，開始嘗試向女性氣質(zhì)轉(zhuǎn)變，或通過音樂和寫作來排遣內(nèi)心的孤獨與苦悶或嘗試與他人建立一種親密的“我的我們”的關(guān)系來尋找歸屬感，成為世界的一員。但是由于女性身份的限制和愛的能力的缺乏，在追尋自由與臣服社會權(quán)威的掙扎中，米克和弗蘭淇最終夢想破滅，徹底放棄了自己的男性氣質(zhì)，成為標(biāo)準(zhǔn)的南方淑女。 通過對米克和弗蘭淇這兩位青春期少女的分析得出結(jié)論，在南方父權(quán)文化體系下，叛逆的青春期少女無論如何掙扎，都難以對抗強大的社會無形權(quán)威，最終只能以社會和他人期待的樣子走向平庸。
[Abstract]:In 20th century, Carson McCullers was one of the representative figures in American Southern literature. Her description of adolescent girls was of great significance because of her strong autobiography. This article mainly takes two works of "Heart is the Lonely Hunter" and "the member of the Wedding" as the research text, and the heroines of the two works, Mick and Frankie, are the research objects. Using Fromm's theory about the plight of human existence, and combining Simone de Bovova's view of the "other" status of women. From the angle of freedom and love, this paper analyzes how the image of two adolescent girls as "other" constantly struggles in loneliness in the process of independence and maturity, seeking freedom and self-true identity. Finally, at the cost of losing herself, it becomes the process of southern ladies, and discusses the deep reasons why the two heroines pursue their dreams and love and fail finally. Through the analysis of McCullers' life, it is concluded that Mick and Francesca are deeply influenced by the isolated character of McCullers' childhood. They have the same strong masculinity as McCullers and a persistent pursuit of love. Their deviant behavior is incompatible with the traditional southern patriarchal culture. In order to get rid of this loneliness, they have adopted various ways to achieve their own identity, or compromise to the social authority, and began to try to change their feminine temperament. Or through music and writing to relieve the loneliness and distress of the heart or try to establish a close relationship with others "my We" to find a sense of belonging. However, due to the limitation of female identity and the lack of ability to love, Mick and Frankie finally lost their dreams in the struggle for freedom and subjugation to social authority. Completely give up their masculinity, become the standard southern lady. Through the analysis of Mick and Flanqi, it is concluded that under the southern patriarchal culture system, the rebellious adolescent girls, no matter how struggling, are difficult to resist the powerful invisible authority of society. In the end, it can only become mediocre as expected by society and others.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074

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