本文關(guān)鍵詞：勒克萊齊奧作品《流浪的星星》的小說詩(shī)學(xué)解讀　出處：《西安外國(guó)語大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 《流浪的星星》 小說詩(shī)學(xué)與美學(xué) 文本結(jié)構(gòu) 敘事藝術(shù) 人物分析 寫作理念

【摘要】：法國(guó)著名作家讓-馬里-居斯塔夫·勒克萊齊奧，2008年獲得諾貝爾文學(xué)獎(jiǎng)。他的作品大多是以世界為題材，以抒情為基調(diào)，以獨(dú)特的眼光來看待個(gè)體生命，追求現(xiàn)代主題。 瑞典文學(xué)院在諾貝爾文學(xué)獎(jiǎng)?lì)C獎(jiǎng)詞中曾稱贊法國(guó)作家勒克萊齊奧：“一位體現(xiàn)決裂、詩(shī)意冒險(xiǎn)和感官迷醉的作家，是對(duì)處于主流文明之外和藏匿在其底層的人性的探索者”。作家在《流浪的星星》中以猶太女孩艾斯苔爾（艾蓮娜）和阿拉伯姑娘萘瑪為敘述視角，通過戰(zhàn)爭(zhēng)背景的描寫，讓人們感知戰(zhàn)爭(zhēng)和人性、文學(xué)和存在之間的隱秘關(guān)系，以及由此引出的關(guān)于死亡、等待、欲望、宗教等問題。 從作品文本看，作家在融入故事情節(jié)、展現(xiàn)創(chuàng)作手法的同時(shí)，也傳達(dá)了他對(duì)小說寫作的新理念。西方小說詩(shī)學(xué)從16世紀(jì)開始，歷經(jīng)變化到19世紀(jì)，其主要是圍繞小說題材而展開的分析研究。而20世紀(jì)的小說詩(shī)學(xué)在此基礎(chǔ)上傳承與深化了傳統(tǒng)的古典小說詩(shī)學(xué)，使人們對(duì)現(xiàn)代小說詩(shī)學(xué)觀念和范疇的理解更加深刻與具體。 這部小說是詩(shī)意和感性的融合；公眾給予勒克萊齊奧的評(píng)價(jià)是其寫作風(fēng)格古典、簡(jiǎn)單，但卻精致而色彩斑斕。誠(chéng)然，這與他在小說中所表現(xiàn)的敘事手法和寫作技巧是密不可分的。細(xì)閱全文，，作品中體現(xiàn)出了小說詩(shī)學(xué)與美學(xué)的相關(guān)元素，這也正是時(shí)代賦予法國(guó)現(xiàn)當(dāng)代文學(xué)的一種文化交匯現(xiàn)象。本論文以文學(xué)敘事的藝術(shù)手法為基礎(chǔ)，用小說詩(shī)學(xué)理論和具體文本相結(jié)合的方法來研究小說內(nèi)在元素以及各元素之間的關(guān)系，并從小說美學(xué)的角度出發(fā)審視和體驗(yàn)了小說的審美觀。
[Abstract]:The famous French writer Jean-Marie Gustave Legercio won the Nobel Prize for Literature in 2008. Most of his works are about the world and the lyrical tone. Take a unique view of individual life and pursue modern themes. The Swedish Academy of Letters, in its Nobel Prize for Literature, praised French writer Leclezio: "A writer who embodies rupture, poetic adventure and sensual intoxication." The writer takes the Jewish girl Estelle (Elaine) and the Arab girl Nama as the narrative perspective in the wandering Star. Through the description of the background of war, people are aware of the secret relationship between war and humanity, literature and existence, and the questions about death, waiting, desire, religion and so on. From the perspective of the text of the works, the writer not only integrates the story plot, but also conveys his new idea of novel writing. Western novel poetics has changed from 16th century to 19th century. In 20th century, the novel poetics inherited and deepened the traditional classical novel poetics. It makes people understand the concept and category of modern novel poetics more deeply and concretely. The novel is a combination of poetry and sensibility; The public comment to Leclezio is that his writing style is classical, simple, but exquisite and colourful. Indeed, this is closely related to his narrative techniques and writing skills in his novels. The works reflect the relevant elements of poetics and aesthetics of novel, which is also a cultural intersection phenomenon given by the times to French modern and contemporary literature. This paper is based on the artistic techniques of literary narration. This paper studies the inner elements of the novel and the relationship between the elements in the novel by combining the poetics of the novel with the concrete text, and examines and experiences the aesthetics of the novel from the angle of the aesthetics of the novel.
【學(xué)位授予單位】：西安外國(guó)語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I565.074

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