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《格列佛游記》與《鏡花緣》文體特征比較研究

發(fā)布時間:2024-02-02 12:39
  《格列佛游記》是十八世紀英國著名諷刺作家喬納森·斯威 夫特的諷刺名作,《鏡花緣》是中國晚清時代諷刺作家李汝珍的 代表作。兩部小說分別由兩位作家依照各自的民族文化傳統(tǒng)寫成, 寫作年代也相隔久遠,然而,兩位作家在這兩部作品中卻表達了 極為相似的思想觀點。小說的主題、文體、結構以及作者所采取 的藝術手法都驚人地相似。 斯威夫特和李汝珍所生活的時代都沒有什么言論自由可言 他們都對自己所處的社會現(xiàn)實不滿,主張進行變革,可在當時的 條件下又不能公開表達自己的思想,因此,不約而同地,他們都 采取了一些策略:采取游記的形式,通過想象和夸張,講述主人 公在海外游歷的故事。當然,千奇百怪的海外國度里發(fā)生的那些 荒誕不經(jīng)的故事無一不是現(xiàn)實世界中某個側面的反映。現(xiàn)實生活 中人類的劣根性,經(jīng)過作者生花妙筆的描寫,就變成讀者眼中離 奇可笑的故事。 《格列佛游記》和《鏡花緣》兩部小說都涉及了政治、文化、 教育、道德、倫理等社會生活的方方面面。斯威夫特和李汝珍都 在自己的小說中批判了社會的陰暗面,表達了自己對理想社會和 美好未來的憧憬。 當然,這兩部小說在具體細節(jié)的安排上也不盡相同。例如, 兩...

【文章頁數(shù)】:99 頁

【學位級別】:碩士

【文章目錄】:
Acknowledgements
英文摘要
中文摘要
Introduction
Chapter One Some Background Information of the Two Works
    1. The Historical Background of the Two Works
        1.1 The Historical Background of Gulliver's Travels
            1.1.1 About the Author
            1.1.2 About the Fiction
        1.2 The Historical Background of Flowers in the Mirror
            1.2.1 About the Author
            1.2.2 About the Fiction
    2. The Critical Background of the Two Works
        2.1 The Critical Background of Gulliver's Travels
            2.1.1 About the Genre
            2.1.2 Misanthropic or Not
            2.1.3 The Sordid Realism
            2.1.4 Gulliver's Role
            2.1.5 The Authorial Intention
            2.1.6 About the Allusion
            2.1.7 Swift's Utopia
            2.1.8 Whether Swift Be Anti-Feministic or Not
        2.2 The Critical Background of Flowers in the Mirror
            2.2.1 Feminist Ideas in Flowers in the Mirror
            2.2.2 About Li's Pedantry
            2.2.3 About the Authorial Attitude
            2.2.4 Li's Utopia
            2.2.5 Li's Attitude Toward Empress Wu Ze-tian
            2.2.6 The Genre of the Book
Chapter Two Analysis on the Stylistic Features of the Two Fictions
    1. The Social Background of the Two Books
        1.1 The Social background of Gulliver's Travels
        1.2 The Social Background of Flowers in the Mirror
    2. Features of the Satires in the Two Works
        2.1 Authenticity of the Satires in Gulliver's Travels and Flowers in the Mirror
        2.2 The Ideal Society Being Presented While the Vile Practices Being Satirized
        2.3 The Unity of the Subjectivity of the Author's Comments and the Objectivity of the Satirized Images
    3. The Means That the Two Authors Adopt to Present Their Satires
        3.1 Satirizing the Reality and Presenting the Ideal by Describing Fictional Plots
        3.2 Drawing the Ugly Practices in Life With Hyperbolic Caricature to Make the Satirized Images More Forceful in Exposing Reality
        3.3 Using Contrast and Irony to Make the Satire Shocking
Chapter Three The Social and Cultural Differences Reflected in the Two Novels as Seen From a Stylistic Point of View
    1. Difference in the Two Writers' Narrations
    2. Difference in the Protagonists' Professions
    3. Difference in the Aims of the Protagonists' Voyages
    4. Difference in the Writers' Descriptions of the Overseas Countries
    5. Difference in the Writers' Views Toward the Problems Existing in the Overseas Countries
        5.1 Swift's Viewpoints
            5.1.1 Allusion to the British Political Reality
            5.1.2 The Extreme Disgust at War
            5.1.3 Swift's Views on Other Problems
        5.2 Li Ru-zhen's Viewpoints
            5.2.1 Advocating Filial Piety
            5.2.2 Exhorting People to Do Good
            5.2.3 Li's Views on Other Problems
    6. Difference in The Two Writers' Literary Traditions
Conclusion
Bibliography



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