在世界劇壇上,沃爾·索因卡和塞繆爾·貝克特都占據(jù)著不可動搖的地位。前者是當(dāng)代尼日利亞最負(fù)盛名的劇作家,并于1986年獲得諾貝爾文學(xué)獎。后者是20世紀(jì)英美文學(xué)最具影響的小說和戲劇家之一,于1969年獲得諾貝爾文學(xué)獎。作為在戲劇創(chuàng)作方面造詣頗深的劇作家,兩人在各自代表作《路》和《等待戈多》的創(chuàng)作中存在不少異同。作為一名經(jīng)受過西方文明洗禮的非洲劇作家,索因卡的創(chuàng)作深受西方文明的影響,其代表作《路》中不乏西方荒誕劇式的對白與獨白,晦澀難懂;戲劇情節(jié)和場景奇圖怪誕。被稱為荒誕派戲劇奠基人之一的貝克特,其代表作《等待戈多》也處處充斥著荒誕劇的元素,他排斥戲劇情節(jié)和結(jié)構(gòu),偏好稀奇古怪的舞臺形象和顛三倒四的戲劇語言。以此來看,索因卡的《路》和貝克特的《等待戈多》一樣,都屬于折射出“荒誕劇”的影子。但對兩部名作的進(jìn)一步分析證明,索因卡在《路》中的創(chuàng)作哲學(xué)基礎(chǔ)以及創(chuàng)作手法與《等待戈多》其實存在著很大的差異。此前,不少研究者曾分別對索因卡和貝克特的作品進(jìn)行了多方面、深入的研究,也取得了相當(dāng)豐富的研究成果。但是卻鮮少有人選取二者的荒誕戲劇進(jìn)行對比研究。因此,將索因卡的《路》和貝克特的《等待戈多》進(jìn)行對比分析,...

【文章頁數(shù)】：78 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
ABSTRACT
Introduction
Chapter 1 Literature Review
    1.1 Literature Review of the Studies on Wole Soyinka at Home and Abroad
        1.1.1 Studies on Language Features in Wole Soyinka’s Dramas
        1.1.2 Studies on Images in Wole Soyinka’s Dramas
        1.1.3 Studies on Culture Connotation in Wole Soyinka’s Dramas
    1.2 Literature Review of the Studies on Samuel Beckett at Home and Abroad
        1.2.1 Studies on Existential Philosophy in Samuel Beckett’s Dramas
        1.2.2 Studies from the View of Post-structuralism in Samuel Beckett’s Dramas
        1.2.3 Studies from the View of Body Research in Samuel Beckett’s Dramas
        1.2.4 Studies from the View of Postmodernism in Samuel Beckett’s Dramas
        1.2.5 Studies from the View of Aesthetics in Samuel Beckett’s Dramas
Chapter 2 Production and Main Features of the Theatre of the Absurd
    2.1 Production of the Theatre of the Absurd
        2.1.1 Social Background for the Production of the Theatre of the Absurd
        2.1.2 Philosophical Foundation of the Theatre of the Absurd
    2.2 Development and Influence of the Theatre of the Absurd
    2.3 Representative Works and Main Features of the Theatre of the Absurd
Chapter 3 Similarities between The Road and Waiting for Godot
    3.1 Absurd Drama Language
        3.1.1 Absurd Drama Language in Waiting for Godot
        3.1.2 Absurd Drama Language in The Road
    3.2 Absurd Stage Picture
        3.2.1 Absurd Stage Picture in Waiting for Godot
        3.2.2 Absurd Stage Picture in The Road
    3.3 Absurd Drama Plot
        3.3.1 Absurd Drama Plot in Waiting for Godot
        3.3.2 Absurd Drama Plot in The Road
Chapter 4 Differences between The Road and Waiting for Godot
    4.1 The Differences in Philosophical Foundation
        4.1.1 The Philosophical Foundation in Waiting for Godot
        4.1.2 The Philosophical Foundation in The Road
    4.2 The Differences in Writing Techniques
        4.2.1 The Writing Techniques in Waiting for Godot
        4.2.2 The Writing Techniques in The Road
Conclusion
Bibliography
Acknowledgements
Appendix 讀學(xué)位期間發(fā)表的學(xué)術(shù)論文及主持參加的科研項目
詳細(xì)摘要



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