尼采式創(chuàng)造:D.F.克萊爾對尼采的文學哲學闡釋
發(fā)布時間:2021-04-25 21:10
D.F.克萊爾是當代美國的文學批評家、作家及哲學家,其思想貢獻是跨文學與哲學學科的尼采詩學、美學及哲學思想研究,并集中體現(xiàn)于其文學批評著作《傳染性尼采》、傳記性小說《尼采:一部小說》以及紀實文學作品《好的歐洲人:尼采工作地圖文錄》中。目前,克萊爾研究在國外方興未艾,國內(nèi)則鮮有研究,且國外研究主要集中于他的尼采哲學研究,尚未從跨文學與哲學學科的視角整體性地處理他的全部思想。為此,本研究試圖以文學哲學為研究進路,以《傳染性尼采》《尼采:一部小說》《好的歐洲人:尼采工作地圖文錄》為研究范圍,以克萊爾如何理解尼采的文學哲學思想為主要研究問題,目標是系統(tǒng)性地確立克萊爾關于尼采文學哲學思想的完整主張。本論文包括引言、主體、結論,其中主體部分由三章組成。引言部分,主要包括文獻綜述、研究方法、研究問題。其中,研究方法部分著重交待了本研究的理論基礎,即海德格爾、德里達及伽達默爾的尼采闡釋視角。本文的第一章主要處理了克萊爾思想中作為批評家尼采的文學哲學思想問題,力圖指出:克萊爾是從海德格爾的邏輯性視角出發(fā),通過闡釋尼采的譜系學批評、尼采的悲劇批評,同時通過虛構尼采的批評對話,完整地還原和呈現(xiàn)了尼采對以形而...
【文章來源】:大連理工大學遼寧省 211工程院校 985工程院校 教育部直屬院校
【文章頁數(shù)】:55 頁
【學位級別】:碩士
【文章目錄】:
摘要
Abstract
Introduction
Literature Review
Methodology
Research Questions
Organization of Thesis
Chapter1 Creating as a Nietzschean Critic
1.1 Heidegger’s Logical Perspective:Krell’s Foundation of Interpreting Nietzsche as a Critic
1.2 A Genealogical Critic in Infectious Nietzsche
1.3 A Tragic Critic in The Good European
1.4 A Fictional Critic in Nietzsche:A Novel
Chapter2 Creating as a Nietzschean Artist
2.1 Derrida’s Biological Perspective:Krell’s Foundation of Interpreting Nietzsche as an Artist
2.2 An Artist of Will to Power in Infectious Nietzsche
2.3 An Artist of Style in The Good European
2.4 An Artist of Dionysos in Nietzsche:A Novel
Chapter3 Creating as a Nietzschean Poet
3.1 Gadamer’s Dialogical Perspective:Krell’s Foundation of Interpreting Nietzsche as a Poet
3.2 A Poet of German Romanticism in Infectious Nietzsche
3.3 A Poet of Zarathustra in The Good European
3.4 A Poet of Apollo in Nietzsche:A Novel
Conclusion
Major Findings
Limitations
Works Cited
攻讀碩士學位期間發(fā)表學術論文情況
Acknowledgements
【參考文獻】:
期刊論文
[1]從現(xiàn)象學到譜系學——尼采哲學的兩重面向[J]. 吳增定. 哲學研究. 2017(09)
[2]何謂“情動”?[J]. 汪民安. 外國文學. 2017(02)
[3]尼采的科學批判——兼論尼采的現(xiàn)象學[J]. 孫周興. 世界哲學. 2016(02)
[4]尼采的道德形而上學及其現(xiàn)象學奠基[J]. 王昊寧. 哲學動態(tài). 2015(12)
[5]道德譜系學與道德意識現(xiàn)象學[J]. 倪梁康. 哲學研究. 2011(09)
[6]別忘了音樂、蘇格拉底:尼采式轉(zhuǎn)折下篇[J]. 童明. 外國文學. 2008(02)
[7]悲劇之力:尼采式轉(zhuǎn)折上篇[J]. 童明. 外國文學. 2008(01)
本文編號:3160102
【文章來源】:大連理工大學遼寧省 211工程院校 985工程院校 教育部直屬院校
【文章頁數(shù)】:55 頁
【學位級別】:碩士
【文章目錄】:
摘要
Abstract
Introduction
Literature Review
Methodology
Research Questions
Organization of Thesis
Chapter1 Creating as a Nietzschean Critic
1.1 Heidegger’s Logical Perspective:Krell’s Foundation of Interpreting Nietzsche as a Critic
1.2 A Genealogical Critic in Infectious Nietzsche
1.3 A Tragic Critic in The Good European
1.4 A Fictional Critic in Nietzsche:A Novel
Chapter2 Creating as a Nietzschean Artist
2.1 Derrida’s Biological Perspective:Krell’s Foundation of Interpreting Nietzsche as an Artist
2.2 An Artist of Will to Power in Infectious Nietzsche
2.3 An Artist of Style in The Good European
2.4 An Artist of Dionysos in Nietzsche:A Novel
Chapter3 Creating as a Nietzschean Poet
3.1 Gadamer’s Dialogical Perspective:Krell’s Foundation of Interpreting Nietzsche as a Poet
3.2 A Poet of German Romanticism in Infectious Nietzsche
3.3 A Poet of Zarathustra in The Good European
3.4 A Poet of Apollo in Nietzsche:A Novel
Conclusion
Major Findings
Limitations
Works Cited
攻讀碩士學位期間發(fā)表學術論文情況
Acknowledgements
【參考文獻】:
期刊論文
[1]從現(xiàn)象學到譜系學——尼采哲學的兩重面向[J]. 吳增定. 哲學研究. 2017(09)
[2]何謂“情動”?[J]. 汪民安. 外國文學. 2017(02)
[3]尼采的科學批判——兼論尼采的現(xiàn)象學[J]. 孫周興. 世界哲學. 2016(02)
[4]尼采的道德形而上學及其現(xiàn)象學奠基[J]. 王昊寧. 哲學動態(tài). 2015(12)
[5]道德譜系學與道德意識現(xiàn)象學[J]. 倪梁康. 哲學研究. 2011(09)
[6]別忘了音樂、蘇格拉底:尼采式轉(zhuǎn)折下篇[J]. 童明. 外國文學. 2008(02)
[7]悲劇之力:尼采式轉(zhuǎn)折上篇[J]. 童明. 外國文學. 2008(01)
本文編號:3160102
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