【摘要】：文字的構(gòu)成藝術(shù)不僅規(guī)定了中華民族的思維方式特征,也規(guī)定了中華美學(xué)精神的特征。漢字構(gòu)成藝術(shù)的六書(shū)規(guī)定了漢語(yǔ)母語(yǔ)寫(xiě)作的意象特征,中國(guó)傳統(tǒng)詩(shī)學(xué)的意象論促進(jìn)了中華民族抒情文學(xué)的高度發(fā)達(dá),使中國(guó)成為詩(shī)的王國(guó)。具體說(shuō)來(lái),漢字的六書(shū)構(gòu)成主要規(guī)定了漢語(yǔ)母語(yǔ)寫(xiě)作的意象論規(guī)律,意象論在唐宋時(shí)代逐步發(fā)展成為意境論,促進(jìn)了詩(shī)歌藝術(shù)的高度發(fā)展。宋代以后意象論在市民經(jīng)濟(jì)的推動(dòng)下逐步發(fā)展成為小說(shuō)論、典型論。這種發(fā)展過(guò)程的深層原因就在于,漢字的六書(shū)構(gòu)成由象形、指事到會(huì)意、形聲,再到轉(zhuǎn)注、假借的轉(zhuǎn)換,形成了意象論到意境論再到典型論的發(fā)展,直接規(guī)制了漢語(yǔ)母語(yǔ)寫(xiě)作的歷史發(fā)展進(jìn)程。
[Abstract]:The composition of the text not only specifies the mode of thinking of the Chinese nation, but also the feature of Chinese aesthetic spirit. The six books of Chinese characters constitute the image of Chinese mother tongue writing, and the image theory of Chinese traditional poetics has promoted the highly developed Chinese lyric literature and made China the kingdom of poetry. In particular, the six-book composition of Chinese characters mainly specifies the image theory of Chinese mother tongue writing, and the image theory is gradually developed into the theory of artistic conception in the Tang and Song times, which has promoted the high development of the poetry art. After the Song Dynasty, the image theory is gradually developed into the novel theory and the typical theory under the promotion of the citizen's economy. The deep reason for this development process is that the six books of the Chinese characters are formed by the pictograph, which refers to the conversion of the meaning, the shape and the sound, then to the transfer and the false borrowing, and forms the image theory to the development of the typical theory, and directly regulates the historical development process of the Chinese mother tongue writing.
【作者單位】： 中國(guó)科學(xué)院自動(dòng)化研究所;華中師范大學(xué)文學(xué)院;
【基金】：2014年財(cái)政部中央文化產(chǎn)業(yè)發(fā)展專項(xiàng)資金項(xiàng)目 科技部國(guó)家科技支撐計(jì)劃(2015BAK25B00)
【分類號(hào)】：H122;I04
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本文編號(hào)：2510456