民國前期工藝美術家職業(yè)取向模糊化之原因——以1929年全國美展工藝美術家作品為例
發(fā)布時間：2019-06-12 10:20
【摘要】：1929年教育部全國美展工藝美術家出品涵蓋面極廣,然而從展品的缺乏創(chuàng)新可管窺此際工藝美術發(fā)展的危機。參展工藝美術家表現出的職業(yè)取向模糊化趨勢與這種危機互為因果。工藝美術家對自身專業(yè)身份的不認同,肇因于工藝美術學科之范疇的模糊,也源于工業(yè)化發(fā)展所造成的手工藝"去主體"傾向和傳統社會"重道輕技"的觀念慣性。
[Abstract]:In 1929, the Ministry of Education produced a wide range of arts and crafts at the National Art Exhibition. However, from the lack of innovation of the exhibits, we can see the crisis of the development of arts and crafts. The trend of vagueness of professional orientation shown by exhibitors and craftsmen is a cause and effect of this crisis. The disapproval of craftsmen to their professional identity is due to the ambiguity of the category of arts and crafts, as well as the tendency of "removing the subject" of handicrafts caused by the development of industrialization and the inertia of the concept of "emphasizing and neglecting skills" in traditional society.
【作者單位】： 南京藝術學院美術學院;
【基金】：教育部一般項目“器、用、道的變革史——中國近現代美術的材料、制度及精神研究”(項目編號:11YJC760066)階段成果
【分類號】：J120.9
本文編號：2497939
[Abstract]:In 1929, the Ministry of Education produced a wide range of arts and crafts at the National Art Exhibition. However, from the lack of innovation of the exhibits, we can see the crisis of the development of arts and crafts. The trend of vagueness of professional orientation shown by exhibitors and craftsmen is a cause and effect of this crisis. The disapproval of craftsmen to their professional identity is due to the ambiguity of the category of arts and crafts, as well as the tendency of "removing the subject" of handicrafts caused by the development of industrialization and the inertia of the concept of "emphasizing and neglecting skills" in traditional society.
【作者單位】： 南京藝術學院美術學院;
【基金】：教育部一般項目“器、用、道的變革史——中國近現代美術的材料、制度及精神研究”(項目編號:11YJC760066)階段成果
【分類號】：J120.9
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1 本報記者 徐志純;安徽民藝閃亮澳門[N];安徽日報;2009年
，本文編號：2497939
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