【摘要】：語象敘事被視為藝術(shù)表現(xiàn)的一種方式、體裁、隱喻,或文藝?yán)碚撝幸粋�重要的概念與闡釋工具。該詞在西方有著源遠(yuǎn)流長的歷史,其含義也在近兩千年的發(fā)展中不斷演變,至今仍未有定論。原因之一是它具有跨藝術(shù)、跨媒介和跨學(xué)科研究的特征,然其最核心的問題乃是詞語與意象的關(guān)系。今天學(xué)界對該詞使用值得反思的幾個問題是:這一術(shù)語該如何界定?其理論邊界有多大?文學(xué)研究中的語象敘事與繪畫藝術(shù)等所使用的該詞是否應(yīng)有區(qū)別?語圖之間是什么關(guān)系?等等。本文擬從上述幾個方面對西方語象敘事的歷史與現(xiàn)狀、定義與問題做一梳理。
[Abstract]:Image narration is regarded as a way of artistic expression, genre, metaphor, or an important concept and interpretation tool in literary and artistic theory. The word has a long history in the West, and its meaning has evolved in the past 2000, and has not yet been determined. One of the reasons is that it has the characteristics of cross-art, cross-media and interdisciplinary research, but its core problem is the relationship between words and images. Today, several questions about the use of the word in academic circles are: how should the term be defined? What is the theoretical boundary? Should there be a difference between the word used in literary research, such as narration and painting art? What is the relationship between language maps? Wait銆，

本文編號：2493776