【摘要】：進入21世紀,中國當代藝術也開始步入藝術體制全面建設階段。在此情境下,“藝術體制與藝術創(chuàng)作主體生成”成為重要的研究課題�！八拇佬g學院青年駐留藝術家計劃”作為國內(nèi)首個以學院為主體的青年藝術家扶持計劃,在學院體制內(nèi)建立了一個能夠自主運行的藝術小“圈子”,正是“藝術體制與藝術創(chuàng)作主體生成”研究的鮮活樣本,所以對“四川美術學院青年駐留藝術家群體”研究有極其重要的意義。本文以布爾迪厄“場域”概念和霍華德“藝術界”為理論基礎,以藝術人類學常用的田野調(diào)查、切身體驗、跟蹤訪談為研究方法,將四川美術學院青年藝術家駐留群體以及周邊生態(tài)作為藝術場域,對此場域的緣起、構建、意義進行討論。論文第1章介紹了國內(nèi)外相關的研究現(xiàn)狀;第2章通過梳理川美駐留藝術家計劃的制定及實施來討論場域的緣起;第3章通過對川美青年藝術家駐留群體的人員構成、群體生態(tài)、創(chuàng)作面貌進行場域的構建分析;第4章從“對于青年藝術家生成的意義、藝術體制建設的實驗、駐留計劃的反思”三個方面思考場域生發(fā)的意義。以此將藝術場域的“緣起、構建、意義”轉化為駐留計劃的“緣起和實施、群體生態(tài)構成、生成意義”。以此達到兩個方面的研究目的:其一,希望本論文對“四川美術學院青年駐留藝術家群體”深入調(diào)查所得到的一手資料,能為以后相關研究貢獻微薄之力;其二,希望此案例中關于“藝術體制與藝術創(chuàng)作主體生成”的討論能為當下的藝術體制的全面建設提供參考和借鑒。
[Abstract]:Enter 21 st century, Chinese contemporary art also begins to enter art system all-round construction stage. In this context, the formation of art system and art creation subject has become an important research topic. The Sichuan Academy of Fine Arts Youth resident Artist Program, as the first young artist support program with the college as the main body in China, has established a small "circle" of art that can operate on its own within the college system. It is the living sample of the study of "the artistic system and the subject of artistic creation", so it is of great significance to study the "Young resident artists Group of Sichuan Academy of Fine Arts". Based on Bourdieu's concept of "field" and Howard's "art world", this paper takes field investigation, personal experience and tracking interview as the research methods, which are commonly used in art anthropology. This paper discusses the origin, construction and significance of the art field of Sichuan Academy of Fine Arts. Chapter 1 introduces the current situation of research at home and abroad, the second chapter discusses the origin of the field by combing the formulation and implementation of the plan of resident artists in Sichuan. The third chapter analyzes the composition of the group, the ecology of the group and the appearance of the creation of the young artists in Sichuan. The fourth chapter considers the meaning of field growth from three aspects: the meaning of young artists' generation, the experiment of art system construction, and the reflection of resident plan. In this way, the "origin, construction, meaning" of the art field is transformed into the "origin and implementation, group ecological composition and generating significance" of the resident plan. In order to achieve two research purposes: first, I hope this paper to "Sichuan Academy of Fine Arts Young resident artists" in-depth investigation of the data, can contribute to the relevant research in the future. Secondly, it is hoped that the discussion of "the art system and the creation of the subject" in this case can provide reference and reference for the overall construction of the present art system.
【學位授予單位】：四川美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J120.9

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