【摘要】：正這些年文藝界呈現(xiàn)出非常奇怪的現(xiàn)象。比如,一方面是創(chuàng)作數(shù)量屢創(chuàng)新高,"著名作家"、"杰出詩人"、"知名畫家"等遍地開花,但是精品力作卻少得很,即便是獲得國內(nèi)外大獎,被受眾認可的層面也相對有限,文藝接受市場的低落恐怕是不爭的事實。另一方面,文藝批評家卻是如雨后春筍般涌現(xiàn)。各式批評性的文字出現(xiàn)在各大報刊雜志網(wǎng)站上,蔚為壯觀,甚至口水罵戰(zhàn)而形成傳媒熱點的也不見少數(shù)。從本質(zhì)上講,文藝批評理所當(dāng)然屬于文
[Abstract]:It is these years that the literary and art world presents a very strange phenomenon. For example, on the one hand, the number of creative works has repeatedly reached new heights, "famous writers", "outstanding poets", "famous painters" and so on, but there are few masterpieces, even if they win awards at home and abroad. The level of acceptance by the audience is also relatively limited, literary acceptance of the market is probably an indisputable fact. On the other hand, literary critics have sprung up. All kinds of critical words appear on the websites of major newspapers and magazines. In essence, literary criticism belongs to literature and art.
【作者單位】： 海南師范大學(xué)文學(xué)院;
【基金】：2012年海南省哲學(xué)社會科學(xué)課題“中國當(dāng)代文學(xué)傳播機制研究”(項目編號:HNSK12-12)
【分類號】：I206.7;J05

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