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重構(gòu)自然情境的新媒體裝置藝術(shù)研究

發(fā)布時間:2018-10-31 18:18
【摘要】:本文研究的是一個十分普遍卻沒有受到重視的問題。以自然情境為主題來創(chuàng)作新媒體裝置藝術(shù)作品是非常普遍的現(xiàn)象,但是據(jù)筆者的觀察,大多創(chuàng)作者并未對其特性有所重視,并且缺乏系統(tǒng)性處理此類作品的有效創(chuàng)作方法。本文以藝術(shù)創(chuàng)作中的自然觀、重構(gòu)的形式語言和情感化創(chuàng)作的理論基礎(chǔ)出發(fā),逐步建立起新媒體藝術(shù)裝置中重構(gòu)自然情境的理論支撐。詳細論述了“重構(gòu)自然情境”在新媒體裝置藝術(shù)創(chuàng)作中在情感溝通、空間表現(xiàn)、形式美學、戲劇性美學方面的種種優(yōu)勢。筆者希望通過本文的論述與研究,能引起新媒體裝置藝術(shù)的創(chuàng)作者關(guān)注重構(gòu)自然情境類作品的特性及優(yōu)勢,而這種優(yōu)勢不是單純的以美感、奇觀作為出發(fā)點,而是以情感表達功能作為最終的依歸。只有真正認識到重構(gòu)自然情境在藝術(shù)情感化創(chuàng)作中的突出功能,才能讓此類型作品在新媒體裝置藝術(shù)創(chuàng)作中發(fā)揮真正的作用,成為新媒體裝置藝術(shù)中創(chuàng)作的主體。雖然本文研究的重心是新媒體裝置藝術(shù)主題的選擇與設(shè)定的問題,但是筆者的最終目標并非只著眼于單純的主題性創(chuàng)作,而是希望在肯定了自然情境類主題的重要功能后能引發(fā)大家對新媒體裝置藝術(shù)中諸如造型、空間、互動等各種組成要素的逆向思考,尋找出更多更有效的創(chuàng)意思考模式與方法,制作出更具有自己特殊形式風格的優(yōu)秀作品!爸貥(gòu)自然情境”作為一種特定的藝術(shù)創(chuàng)作形式,在感官層面上起到了對新媒體裝置藝術(shù)形式風格上的細化及強化作用,為新媒體裝置藝術(shù)提供了一個新的美學原則,同時也為新媒體裝置藝術(shù)在情感化設(shè)計方面提供了新思維和指導意義。對它的研究即具有實用的創(chuàng)作價值,又具有情感化設(shè)計學的理論價值。本文以環(huán)境心理學中對于環(huán)境知覺與人類行為的關(guān)系的研究為理論基礎(chǔ),結(jié)合關(guān)于美學上關(guān)于自然與情感體驗、重構(gòu)性藝術(shù)語言理論,深挖在新媒體藝術(shù)上的重構(gòu)自然情景這一特定創(chuàng)作手法的本質(zhì),并希望由此而形成一系列的具體方法,指導我們今后的創(chuàng)作,提供更多后效的思維方法。
[Abstract]:What this paper studies is a very common problem which has not been paid attention to. It is a very common phenomenon to create new media installation works of art under the theme of natural situation. However, according to the author's observation, most creators do not attach importance to their characteristics, and lack of effective creative methods to deal with these works systematically. Based on the natural view of artistic creation, the reconstruction of formal language and the theoretical basis of emotional creation, this paper gradually establishes the theoretical support of reconstruction of natural situation in the new media art installation. This paper discusses in detail the advantages of "reconstruction of natural situation" in the artistic creation of new media installation in the aspects of emotional communication, spatial expression, formal aesthetics and dramatic aesthetics. The author hopes that through the discussion and research in this paper, the creators of the new media installation art will pay attention to the characteristics and advantages of reconstructing the natural situation works, and this advantage is not simply to take aesthetic feeling and wonders as the starting point. Instead, the function of emotional expression is taken as the final result. Only when we really recognize the outstanding function of reconstructing natural situation in artistic emotional creation can we make this type of work play a real role in the creation of new media installation art and become the subject of creation in new media installation art. Although the focus of this study is the choice and setting of the theme of new media installation, but the ultimate goal of the author is not only focused on pure thematic creation, Instead, it is hoped that after affirming the important functions of natural situational themes, it will lead us to reverse thinking on the elements of new media installation, such as modeling, space, interaction, and so on, so as to find more and more effective modes and methods of creative thinking. Produce more have own special form style outstanding work. As a special form of artistic creation, "Reconstructing Natural situation" plays a role in refining and strengthening the artistic style of new media installation on the sensory level, and provides a new aesthetic principle for new media installation art. At the same time, it also provides new thinking and guidance for the new media installation art in emotional design. The research on it has both practical creative value and the theoretical value of emotional design. Based on the study of the relationship between environmental perception and human behavior in environmental psychology, this paper combines the aesthetic theory of nature and emotional experience, and reconstructs the theory of artistic language. This paper explores the nature of the reconstruction of natural scenes in the art of new media, and hopes to form a series of concrete methods to guide our future creation and provide more thinking methods.
【學位授予單位】:廣州美術(shù)學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J5

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