藝術(shù)中的變形問題研究
發(fā)布時(shí)間：2018-10-29 09:04
【摘要】：在美和藝術(shù)的形構(gòu)中,變形是一種令人矚目的表現(xiàn)手法。變形所蘊(yùn)藉的情感與力量及其折射的世界往往是令人費(fèi)解而又異常真實(shí)的。作為一種特殊的意識(shí)形態(tài)形式,藝術(shù)是社會(huì)生活關(guān)系的微妙刻寫,它給予人們重新"看"世界的諸種可能性。在某種意義上,藝術(shù)作品中形象的變形乃是意識(shí)形態(tài)變形的產(chǎn)物。因此,研究藝術(shù)中的變形問題的根本意義,不在于描述藝術(shù)在形式方面呈現(xiàn)的面貌和特征,而在于嘗試探究變形藝術(shù)的內(nèi)在精神,探尋被遮蔽的現(xiàn)實(shí)生活關(guān)系如何在變形中得到顯現(xiàn)和表征。在美學(xué)和藝術(shù)學(xué)研究中,藝術(shù)何為藝術(shù)以及藝術(shù)的功能和意義始終是不可逾越的問題,而藝術(shù)中的變形問題將以其特殊的存在方式成為這些問題的某種聚集。
[Abstract]:In the form of beauty and art, deformation is a remarkable technique of expression. The emotions and forces contained in the deformation and the world it refracts are often incomprehensible and extraordinarily real. As a special form of ideology, art is a subtle description of the relationship between social life, which gives people the possibility to "see" the world again. In a sense, the distortion of images in works of art is the product of ideological deformation. Therefore, the fundamental significance of studying the problem of deformation in art lies not in describing the appearance and characteristics of art in form, but in trying to explore the inner spirit of the art of transformation. To explore how the hidden real life relationship is manifested and represented in the deformation. In the study of aesthetics and art, the question of what art is and the function and significance of art is always an insurmountable question, and the problem of deformation in art will become a kind of aggregation of these problems in its special way of existence.
【作者單位】： 云南大學(xué)文學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金重大項(xiàng)目“當(dāng)代美學(xué)的基本問題及批評(píng)形態(tài)研究”(15ZDB023);國(guó)家社會(huì)科學(xué)基金青年項(xiàng)目“審美人類學(xué)的學(xué)理基礎(chǔ)與發(fā)展趨勢(shì)研究”(12CZW019)
【分類號(hào)】：J01
本文編號(hào)：2297249
[Abstract]:In the form of beauty and art, deformation is a remarkable technique of expression. The emotions and forces contained in the deformation and the world it refracts are often incomprehensible and extraordinarily real. As a special form of ideology, art is a subtle description of the relationship between social life, which gives people the possibility to "see" the world again. In a sense, the distortion of images in works of art is the product of ideological deformation. Therefore, the fundamental significance of studying the problem of deformation in art lies not in describing the appearance and characteristics of art in form, but in trying to explore the inner spirit of the art of transformation. To explore how the hidden real life relationship is manifested and represented in the deformation. In the study of aesthetics and art, the question of what art is and the function and significance of art is always an insurmountable question, and the problem of deformation in art will become a kind of aggregation of these problems in its special way of existence.
【作者單位】： 云南大學(xué)文學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金重大項(xiàng)目“當(dāng)代美學(xué)的基本問題及批評(píng)形態(tài)研究”(15ZDB023);國(guó)家社會(huì)科學(xué)基金青年項(xiàng)目“審美人類學(xué)的學(xué)理基礎(chǔ)與發(fā)展趨勢(shì)研究”(12CZW019)
【分類號(hào)】：J01
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