【摘要】："藝術(shù)即表現(xiàn)"是克羅齊美學(xué)的核心論斷,他以此證明了藝術(shù)的獨立性和純粹性,試圖排除一切物理的、概念的、功利和道德的因素對藝術(shù)的僭越。然而,在具體闡述過程中,又陷入了其對立面。主要表現(xiàn)在:藝術(shù)時而完全獨立,時而與其他精神形式相互顯現(xiàn);時而完全是精神的產(chǎn)物,時而又需要借助物理事實進行表現(xiàn);藝術(shù)無等差,但克羅齊還是陷入了經(jīng)驗的區(qū)分。這些都反映出克羅齊美學(xué)思想存在的矛盾性。這些矛盾既是克羅齊自身的局限所在,也是其思想不斷修正的結(jié)果,但都可以為我們今天思考藝術(shù)的問題提供思路。
[Abstract]:"Art is expression" is the core of Croce's aesthetics, which proves the independence and purity of art and tries to exclude all the factors of physics, concept, utility and morality. However, in the concrete elaboration process, also fell into its opposite. The main manifestations are: art is sometimes completely independent, sometimes it appears with other spiritual forms; sometimes it is the product of spirit, and sometimes it needs to be expressed with the help of physical facts; there is no difference in art, but Croce is still caught in the distinction of experience. All these reflect the contradiction of Croce's aesthetic thought. These contradictions are not only the limitation of Croce itself, but also the result of the constant revision of his thoughts, but they can provide some ideas for us to think about art today.
【作者單位】： 復(fù)旦大學(xué)中文系;
【分類號】：J01

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1 蕭平;;克羅齊美學(xué)思想批判[J];內(nèi)蒙師院學(xué)報(哲學(xué)社會科學(xué));1963年01期

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