【摘要】：正1965年,索尼便攜式攝像機(jī)問世,為私人錄像的拍攝敞開大門,打破了廣播電視一統(tǒng)天下的局面。正如藝術(shù)史學(xué)者邁克爾·拉什在其著作《錄像藝術(shù)》中所述,這意味著人們"不再受制于好萊塢權(quán)力掮客與主流電視制作人,那些有識之士能夠投身視覺通訊革命,這場革命正迅速改變?nèi)虻纳鐣臀幕?。
[Abstract]:In 1965, Sony camcorder opened the door to private video filming, breaking the dominance of radio and television. As art historian Michael Rush puts it in his book Video Art, this means that people "are no longer enslaved by Hollywood power brokers and mainstream television producers, and those with insight are able to engage in the visual communications revolution." This revolution is rapidly changing the social and cultural life of the world. "
【作者單位】： 中央美術(shù)學(xué)院美術(shù)館;
【分類號】：J5

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