發(fā)布時(shí)間：2018-08-28 11:16

【摘要】：從發(fā)生學(xué)角度觀察,現(xiàn)代圖像敘事緣自圖像傳統(tǒng)又超越了傳統(tǒng)圖像,哲學(xué)本體、社會(huì)制衡和媒體催生構(gòu)成其三大邏輯支點(diǎn)。圖像敘事雖擁有形象的直觀性、符號(hào)的隱喻性以及理解的多義性等表達(dá)優(yōu)勢,但仍無法掩飾其敘事趣味淺表化、圖像話語權(quán)力化的雙重局限。應(yīng)運(yùn)而生的語圖互文詩學(xué),以其動(dòng)態(tài)性的沖突、互補(bǔ)、轉(zhuǎn)化和異質(zhì)同構(gòu)等運(yùn)行機(jī)制,兼顧當(dāng)下鮮活的文藝現(xiàn)實(shí),順應(yīng)文藝發(fā)展的基本規(guī)律,拓展文藝研究的多邊對(duì)話疆域,具有理念的集納性、方法的適用性和績效的周全性,彰顯了圖像時(shí)代文藝?yán)碚撆u(píng)與時(shí)俱進(jìn)的闡釋風(fēng)范和面向未來的建設(shè)情懷。
[Abstract]:From the perspective of genomics, the modern image narrative originates from the traditional image and transcends the traditional image, philosophical ontology, social checks and balances and the birth of the media to form its three logical fulcrum. Although image narration has the advantages of image intuitionism metaphorical symbolism and understanding polysemy it still can not conceal the double limitation of its narrative taste superficial and image discourse power. With its dynamic conflict, complementation, transformation and heterogeneity, the language map intertextual poetics emerges as the times require, which takes into account the present living literary and artistic reality, conforms to the basic laws of literary and artistic development, and expands the multilateral dialogue territory of literary and artistic research. With the combination of ideas, applicability of methods and completeness of performance, the literary theory criticism in the image age is characterized by the hermeneutic style of keeping pace with the times and the feelings of future-oriented construction.
【作者單位】： 中南民族大學(xué)文學(xué)與新聞傳播學(xué)院;
【基金】：國家社科基金項(xiàng)目“新中國少數(shù)民族比較詩學(xué)體系建構(gòu)研究(1949—2015)”(項(xiàng)目編號(hào):16BZW183)的階段性成果之一
【分類號(hào)】：I0

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