【摘要】：從20世紀(jì)90年代開始,中國女性藝術(shù)逐漸覺醒起來,其主要原因是受到了西方“女權(quán)啟蒙”和“女性主義運動”的影響。但是,中國女性藝術(shù)植根于中國本土文化中,又具有了一定的中國當(dāng)代藝術(shù)的特點。女性藝術(shù)家們將自己創(chuàng)作的藝術(shù)與中國的傳統(tǒng)文化和現(xiàn)代文化結(jié)合起來,注重表現(xiàn)女性情感,以女性視野去選擇和描繪藝術(shù)對象,譬如：女性身體、花卉和私密空間。女性藝術(shù)是女性藝術(shù)家表達(dá)和宣泄自由意識與個人情感的一種方式,也是具有文化前衛(wèi)標(biāo)志的藝術(shù)形式。中國當(dāng)代女性藝術(shù)的圖像策略在某種意義上來說,是中國女性“繪畫”與“圖像”相結(jié)合起來的創(chuàng)作方法與手段。與其說是“方法”,不如說是一種“策略”。中國當(dāng)代女性藝術(shù)的圖像策略中的“圖像”不僅包含繪畫,還包含著當(dāng)代藝術(shù)中的攝影、影像、裝置、虛擬空間和多媒體中出現(xiàn)的各種圖像。本文通過對中國當(dāng)代女性藝術(shù)圖像策略的深入研究,將中國當(dāng)代女性藝術(shù)家們的藝術(shù)作品進(jìn)行具體分析,如：藝術(shù)品使用的媒材、運用的媒介、圖像的選擇、作品中藝術(shù)家獲取的靈感來源以及所要表達(dá)的內(nèi)心世界等。本篇文章將分為五個章節(jié)來寫：1、關(guān)于中國當(dāng)代女性藝術(shù)的“圖像”；2、女性藝術(shù)的圖像挪用;3、女性藝術(shù)的圖像表現(xiàn);4、個人油畫創(chuàng)作的圖像策略;5、對中國女性藝術(shù)圖像策略的再思考。通過這五個章節(jié)的結(jié)構(gòu)和內(nèi)容,深入闡述中國當(dāng)代女性藝術(shù)的圖像策略,并更進(jìn)一步挖掘其圖像策略的現(xiàn)實意義。本文的重點在于：女性藝術(shù)的圖像挪用和女性藝術(shù)的圖像表現(xiàn)兩個方面。分別從照片挪用、圖像挪用和圖式挪用以及女性隱喻、女性話語權(quán)和女性定制這些方面進(jìn)行具體闡述。把從1990年以來在中國出現(xiàn)的種種女性藝術(shù)形態(tài)和藝術(shù)樣式進(jìn)行系統(tǒng)化地歸納,通過審視和探討中國當(dāng)代女性藝術(shù)的圖像策略,思考女性藝術(shù)未來的發(fā)展方向,并對其存在的問題和困惑進(jìn)行再思考。
[Abstract]:Since the 1990s, Chinese women's art has gradually awakened, the main reason is that it is influenced by the western "feminist enlightenment" and "feminist movement". However, Chinese female art is rooted in Chinese native culture and has the characteristics of Chinese contemporary art. Women artists combine their own art with Chinese traditional culture and modern culture, pay attention to the expression of female emotion, and choose and depict artistic objects with female vision, such as female body, flowers and private space. Female art is not only a way for female artists to express and express their free consciousness and personal emotion, but also an artistic form with cultural avant-garde. In a sense, the image strategy of Chinese contemporary women's art is the creative method and means of combining "painting" and "image" of Chinese women. It is more a strategy than a method. The "image" in the image strategy of Chinese contemporary female art includes not only painting, but also photography, image, installation, virtual space and various images in multimedia. In this paper, through the in-depth study of the image strategy of Chinese contemporary female art, the author makes a concrete analysis of the works of art of contemporary Chinese female artists, such as the medium used for art, the medium used, and the choice of images. The source of inspiration and the inner world to be expressed by the artist in his works. This article will be divided into five chapters to write about the Chinese contemporary female art "image"; 2. The image misappropriation of female art, the image expression of female art, the image strategy of personal oil painting, and the rethinking of the image strategy of Chinese female art. Through the structure and content of the five chapters, this paper expounds the image strategy of Chinese contemporary female art, and further excavates the realistic significance of the image strategy. This paper focuses on two aspects: image misappropriation of female art and image representation of female art. This paper elaborates on the misappropriation of photographs, the misappropriation of images and schemata, the female metaphor, the power of female discourse and the customization of women. This paper systematically sums up the various forms and styles of female art that have appeared in China since 1990, through examining and discussing the image strategy of Chinese contemporary female art, thinking about the future development direction of female art. And to its existence question and the confusion carries on the reconsideration.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J05

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本文編號：2171467