本文選題：“前藝術(shù)”符號(hào) + 動(dòng)物美感�。� 參考：《南京社會(huì)科學(xué)》2017年12期

【摘要】：符號(hào)學(xué)作為自然科學(xué)與人文科學(xué)的整合,以其思辨的理論視域,借鑒生物學(xué)的研究成果,能夠?qū)λ囆g(shù)與"前藝術(shù)"之聯(lián)系和差別提出建設(shè)性的觀點(diǎn)。藝術(shù)符號(hào)和"前藝術(shù)"活動(dòng)都具有對(duì)美感的生理感知和表達(dá),然而,較之于"前藝術(shù)"符號(hào),人類藝術(shù)不僅是以人類的語(yǔ)言系統(tǒng)為基礎(chǔ)的,還是連續(xù)的、普遍的、整全的,這和"前藝術(shù)"符號(hào)的"非連續(xù)性"形成了鮮明對(duì)比,而"非連續(xù)性"正好是"前藝術(shù)"符號(hào)與藝術(shù)符號(hào)的區(qū)別性特征之一。
[Abstract]:Semiotics, as the integration of natural science and human science, with its theoretical field of view and biological research achievements, can put forward a constructive point of view on the relationship and difference between art and "pre-art". Artistic symbols and "pre-art" activities both have physiological perception and expression of aesthetic feeling. However, compared with "pre-art" symbols, human art is not only based on human language system, but also continuous, universal and complete. This contrasts with the "discontinuity" of the "pre-art" symbol, which is one of the distinguishing features between the "pre-art" symbol and the artistic symbol.
【基金】：國(guó)家社會(huì)科學(xué)基金青年項(xiàng)目“民族符號(hào)學(xué)研究”(14CMZ012)的階段性成果
【分類號(hào)】：J0
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本文編號(hào)：2109986