發(fā)布時間：2018-06-27 09:29

  本文選題：馬爾庫塞 + 藝術(shù)形式論　； 參考：《內(nèi)蒙古大學(xué)》2010年碩士論文

【摘要】： 馬爾庫塞的藝術(shù)形式論思想是從兩個方面展開的：一方面是對經(jīng)典馬克思主義的研究；另一方面,接受了形式主義美學(xué)思想的啟示,從現(xiàn)代派藝術(shù)成果中汲取審美經(jīng)驗。馬爾庫塞在接受俄國形式主義的過程中,擯棄了他們極端化的傾向,對“形式”的內(nèi)涵作出了新的界定,將文藝的審美形式看作與內(nèi)容相關(guān)的自足的整體。中國古代文論中存在著豐富的文藝審美形式的思想；五四時期作家和理論家對文藝形式問題進(jìn)行了廣泛探索與實踐；新時期以來,創(chuàng)作觀念和批評方法的革新,都成為馬爾庫塞藝術(shù)形式論在中國的傳播和運(yùn)用的機(jī)緣。馬爾庫塞藝術(shù)形式論在中國的傳播大致可以分為三個階段。馬爾庫塞的藝術(shù)形式論,比起其他西方馬克思主義的文論,在不失哲學(xué)的深刻意義的同時,可以有效地面對活躍的文學(xué)藝術(shù)現(xiàn)象并給予品評。馬爾庫塞的理論畢竟是西方文化語境的產(chǎn)物,他的理論與中國紛繁復(fù)雜的文學(xué)藝術(shù)現(xiàn)實發(fā)生聯(lián)系的過程,不但提供了可以借鑒運(yùn)用的理論和方法,也向我們提出了如何建立中國自身合規(guī)律又合目的的文藝批評美學(xué)標(biāo)準(zhǔn)問題。
[Abstract]:Marcuse's theory of art form is developed from two aspects: on the one hand, the study of classical Marxism; on the other hand, he receives the inspiration of formalism aesthetic thought and draws aesthetic experience from the artistic achievements of modernism. In the process of accepting Russian formalism, Marcuse rejected their tendency to extremes, made a new definition of the connotation of "form", and regarded the aesthetic form of literature and art as a self-sufficient whole related to the content. In ancient Chinese literary theory, there are abundant thoughts of aesthetic forms of literature and art; writers and theorists extensively explored and practiced the problems of literary forms during the May 4th Movement; since the new period, the creative ideas and critical methods have been innovated. Both become the opportunity for the dissemination and application of Marcuse's art form theory in China. The spread of Marcuse's art form theory in China can be divided into three stages. Marcuse's theory of artistic form, compared with other western Marxist literary theories, can effectively face the active literary and artistic phenomena and comment on them without losing the profound significance of philosophy. After all, Marcuse's theory is the product of the western cultural context. His theory not only provides the theory and method that can be used for reference, but also the process of connection between his theory and the complicated literary and artistic reality in China. Also put forward to us how to establish China's own law and purpose of literary criticism aesthetic standards.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：I01

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 祝賀;馬爾庫塞大眾文化批判理論及當(dāng)代價值[D];哈爾濱師范大學(xué);2012年

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本文編號：2073462