發(fā)布時(shí)間：2018-06-16 23:25

  本文選題：藝術(shù)自律 + 空間��； 參考：《天府新論》2017年04期

【摘要】：藝術(shù)自律是伴隨現(xiàn)代性進(jìn)程而不斷延展的審美文化現(xiàn)象,主要指涉藝術(shù)活動逐步獲得自身場域倫理的過程�？臻g理論、空間視角和空間因素構(gòu)成藝術(shù)自律的重要組成部分。從形式自律的角度而言,現(xiàn)代藝術(shù)完成了從古典藝術(shù)到現(xiàn)代藝術(shù)的"空間革命",以"視知覺空間"、"并置空間"和"幻夢空間"完成自我指涉的形式自律,而后現(xiàn)代藝術(shù)空間的碎片化"分形"空間促使藝術(shù)形態(tài)呈現(xiàn)出解構(gòu)與重構(gòu)的特質(zhì);從場域自律的角度而言,藝術(shù)場域空間的生成與資本空間的流動、交流和區(qū)隔息息相關(guān),正是空間的"不平衡性"和主體感性自由的反思促成空間距離的產(chǎn)生,也走出了一條從"波西米亞"到公共空間的理論譜系;從美學(xué)自律的視角而言,審美現(xiàn)代性的美學(xué)進(jìn)程則依托藝術(shù)自律,并將自主性的藝術(shù)精神轉(zhuǎn)化、拓展為審美革命和審美對抗。從本雅明筆下"游逛者"的現(xiàn)代空間體驗(yàn)到�？碌暮蟋F(xiàn)代"另類空間"美學(xué),都體現(xiàn)出空間美學(xué)的譜系流變和不斷介入現(xiàn)實(shí)語境的努力。
[Abstract]:Art self-discipline is an aesthetic and cultural phenomenon which extends continuously with the process of modernity. It mainly refers to the process of gradually acquiring one's own field ethics in artistic activities. Spatial theory, spatial perspective and spatial factors constitute an important part of art self-discipline. From the point of view of formal self-discipline, modern art has completed the "space revolution" from classical art to modern art, with "visual perception space", "juxtaposition space" and "fantasy space" to complete the self-directed formal self-discipline. The fragmentation of post-modern art space "fractal" space promotes the artistic form to be deconstructed and reconstructed, and from the perspective of field autonomy, the formation of art field space is closely related to the flow, communication and division of capital space. It is the "imbalance" of space and the reflection of the subject's perceptual freedom that leads to the generation of space distance, and it also goes out of a theoretical pedigree from "Bohemia" to "public space", and from the perspective of aesthetic self-discipline, Aesthetic process of aesthetic modernity relies on self-discipline of art and transforms autonomous artistic spirit into aesthetic revolution and aesthetic confrontation. From the modern space experience of "wanderer" by Benjamin to Foucault's post-modern "alternative space" aesthetics, both reflect the evolution of space aesthetics pedigree and the continuous efforts to intervene in the realistic context.
【作者單位】： 河南大學(xué)文藝學(xué)研究中心;河南大學(xué)中國語言文學(xué)博士后流動站;
【基金】：國家社科基金項(xiàng)目“文化現(xiàn)代性視域中的藝術(shù)自律問題研究”(編號:10BZW002) 河南省哲學(xué)社會科學(xué)規(guī)劃項(xiàng)目“空間轉(zhuǎn)向與文學(xué)研究方法論轉(zhuǎn)型”(編號:2016CWX027) 河南省教育廳人文社科研究項(xiàng)目“空間美學(xué)的建構(gòu)與后現(xiàn)代美學(xué)理論新變”(編號:2016—qn—081) 中國博士后科學(xué)基金面上資助項(xiàng)目(編號:2016M592277);中國博士后科學(xué)基金特別資助項(xiàng)目(編號:2017T100527)的階段性成果
【分類號】：J01

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 杜麗芬;《閣樓與偽名士：美國波西米亞史》（第七至九章）翻譯項(xiàng)目報(bào)告[D];四川師范大學(xué);2015年

，

本文編號：2028485