本文選題：西方觀念 + 中國符號　； 參考：《美術(shù)觀察》2016年11期

【摘要】：正在最近北京舉辦的"世界藝術(shù)史大會(huì)"開幕式上,一位該大會(huì)的中方主要組織者,一位重要的美術(shù)官員在演講中介紹中國今天的藝術(shù)時(shí),在其PPT中放了一批他心目中中國"當(dāng)代藝術(shù)"的代表作品。在他那里卻只有一批獲得西方吹捧的中國人的西化了的藝術(shù),這是些似乎有著"中國元素"和"中國符號",骨子里卻是西方模式、西方思維、西方觀念的西方式"當(dāng)代藝術(shù)",一種黃皮白心的"香蕉藝術(shù)"。在這位先生的演講中,
[Abstract]:At the opening ceremony of the "World Conference on Art History" recently held in Beijing, a major Chinese organizer of the conference, an important art official, introduced China's art today in a speech. In his PPT, a number of his representative works of Chinese "contemporary art" were released. But there was only one group of westernized Chinese who had been touted by the West, which seemed to have "Chinese elements" and "Chinese symbols," but inside it was the Western model, the Western thinking, The western way of western concept is "contemporary art", a kind of "banana art" with yellow skin and white heart. In this gentleman's speech,
【作者單位】： 四川大學(xué);
【分類號】：J05
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本文編號：1919117