本文選題：《浮生六記》 + 林語(yǔ)堂��； 參考：《鄭州大學(xué)》2010年碩士論文

【摘要】：作為中國(guó)杰出的翻譯家,林語(yǔ)堂成功地翻譯了清朝文人沈復(fù)的自傳式作品《浮生六記》。該書包括閨房記樂(lè),閑情記趣,坎坷記愁,浪游記快,中山記歷和養(yǎng)生記道六章,再現(xiàn)了中國(guó)傳統(tǒng)生活,反映了古代文人特有的世界觀,人生觀和價(jià)值觀。經(jīng)過(guò)十多次認(rèn)真修改,《浮生六記》成為了林語(yǔ)堂最有代表性的翻譯作品之一。 本文在英國(guó)翻譯理論家亞歷山大·弗雷澤·泰特勒“翻譯三原則”的指導(dǎo)下,通過(guò)研究林語(yǔ)堂譯本中極具代表性的詞組、句子和段落,深入剖析了林語(yǔ)堂的譯文如何反映原文的思想,體現(xiàn)原文的風(fēng)格以及保持原文的流暢性,旨在促進(jìn)對(duì)林語(yǔ)堂以及《浮生六記》翻譯的研究。在對(duì)譯本的分析過(guò)程中,作者也表達(dá)了自身對(duì)泰特勒翻譯原則和林語(yǔ)堂翻譯作品的理解。 本文首先簡(jiǎn)要介紹了國(guó)內(nèi)外對(duì)林譯《浮生六記》的相關(guān)研究以及泰特勒的“翻譯三原則”。泰特勒“翻譯三原則”中的第一原則認(rèn)為譯文應(yīng)完全復(fù)寫出原文的思想。修辭,迷信和文化詞都是中國(guó)文化的重要組成部分。翻譯活動(dòng)不僅是語(yǔ)言的傳遞更是文化的交流。林語(yǔ)堂既是一名忠實(shí)讀者更是一名成功的譯者。通過(guò)分析,本文得出結(jié)論林語(yǔ)堂譯本中詞語(yǔ)的修辭運(yùn)用,詞語(yǔ)中的迷信成分的處理,文化詞的翻譯都成功的促進(jìn)了中西文化的交流,完整地復(fù)述了原文的思想； 第二原則認(rèn)為譯文的風(fēng)格和表達(dá)形式應(yīng)該和原文一致。詩(shī)歌在中國(guó)的發(fā)展歷史悠久。從某種意義上說(shuō),詩(shī)歌的發(fā)展代表了中國(guó)文化的發(fā)展進(jìn)程。但是與此同時(shí),詩(shī)歌的翻譯對(duì)譯者的要求很苛刻,這是由詩(shī)歌自身的特點(diǎn)決定的。通過(guò)對(duì)譯本中詩(shī)歌以及段落翻譯的分析,本文發(fā)現(xiàn)林語(yǔ)堂精通原作語(yǔ)言,并且對(duì)作品主題十分熟悉,通過(guò)譯語(yǔ)傳達(dá)了原文作者的風(fēng)格和筆調(diào)； 第三原則認(rèn)為譯文應(yīng)具備與原作一樣的流暢性。《浮生六記》是沈復(fù)的自傳式作品,作品中記錄了中國(guó)古代傳統(tǒng)習(xí)俗和感人至深的情感語(yǔ)句。泰特勒認(rèn)為保持原作的流暢性是翻譯過(guò)程中最難做到的。通過(guò)深入分析譯文中中國(guó)習(xí)俗,情感語(yǔ)句和習(xí)俗的翻譯,本文認(rèn)為林語(yǔ)堂憑借其高超的藝術(shù)造詣和非凡的文化修養(yǎng),成功地保持了原作的流暢性。 作者希望本文可以有助于國(guó)內(nèi)外學(xué)者對(duì)林譯《浮生六記》的理解,提高對(duì)泰特勒和林語(yǔ)堂翻譯理論的認(rèn)識(shí)。
[Abstract]:As an outstanding translator in China, Lin Yutang successfully translated the autobiographical works of Shen Fu, a literary man of the Qing Dynasty, "six chapters of Floating Life". The book includes six chapters, including boudoir music, leisure memory, bumpy memory, wave travels fast, Zhongshan record and health record, which reproduces Chinese traditional life, reflecting the unique world outlook, outlook on life and values of ancient literati. After more than 10 serious modifications, the six chapters of floating life became one of Lin Yutang's most representative translation works.
Under the guidance of the three principles of translation, Alexander Fraser Teitler, the English translation theorist, through the study of the most representative phrases, sentences and paragraphs in the Lin Yutang translation, this paper deeply analyzes how Lin Yutang's translation reflects the thought of the original text, embodies the style of the original text and maintains the fluency of the original text. In the analysis of the translation, the author also expressed his own understanding of the translation principles of Lin Yutang and Lin Yutang's translation.
The first principle of the first principle in the three principles of translation is that the translation should completely rewrite the thought of the original text. Rhetoric, superstition and cultural words are an important part of Chinese culture. Translation activities are not only the language of the language, but the translation activities are not only the language of the language. The transfer of words is more cultural exchange. Lin Yutang is not only a faithful reader but also a successful translator. Through analysis, this article draws a conclusion that the rhetorical use of words in the Lin Yutang translation, the processing of the superstitious components in the words and the translation of cultural words have successfully promoted the exchange of Chinese and Western languages and retold the thought of the original text.
The second principle holds that the style and expression of the translation should be consistent with the original. The development of poetry has a long history in China. In a sense, the development of poetry represents the process of the development of Chinese culture. At the same time, the translation of poetry is very demanding for the translator. This is determined by the characteristics of the poem itself. In the analysis of Chinese poetry and paragraph translation, it is found that Lin Yutang is proficient in the original language and is very familiar with the theme of the works, and conveys the style and tone of the original author through the translation.
The third principle holds that the translation should have the same fluency as the original. The six chapters of floating life are the autobiographical works of Shen Fu, which records ancient Chinese traditional customs and emotional statements. In the translation of sentences and customs, this article holds that Lin Yutang has successfully maintained the fluency of his original works with his superb artistic attainments and extraordinary cultural accomplishment.
The author hopes that this article can help scholars at home and abroad understand Lin's translation of six chapters of Floating Life and improve their understanding of Teitler's and Lin Yutang's translation theories.

【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：H315.9;I046

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本文編號(hào)：1850777