本文選題：《進(jìn)入黑夜的漫長旅程》 + 《雷雨》��； 參考：《長沙理工大學(xué)》2010年碩士論文

【摘要】： 尤金·奧尼爾與曹禺是中西戲劇史上的杰出人物,兩位劇作家的關(guān)系也一直備受矚目。相似的成長經(jīng)歷和不幸的家庭使奧尼爾和曹禺都親睞家庭悲劇的創(chuàng)作,其中《進(jìn)入黑夜的漫長旅程》與《雷雨》可謂兩位劇作家的經(jīng)典之作。兩部家庭悲劇在人物塑造、創(chuàng)作手法、意象運(yùn)用尤其是作品中體現(xiàn)出來的劇作家的悲劇觀都有很多相似之處,但也存在很多不同點(diǎn)。奧尼爾與曹禺都受到了希臘悲劇觀的影響,但是又融入了各自的創(chuàng)作思想和不同的文化內(nèi)涵,具有本土性和獨(dú)創(chuàng)性。本文試圖通過平行研究與影響研究,對(duì)兩部家庭悲劇進(jìn)行對(duì)比研究,以達(dá)到更深入的解讀兩部作品,從而更好的了解兩位劇作家的創(chuàng)作思想以及中美文化背景的目的。論文首先簡(jiǎn)要介紹了兩部家庭悲劇的內(nèi)容,然后引入悲劇之源----古希臘悲劇為參照點(diǎn),研究兩位劇作家悲劇觀的異同以及在兩部劇作中的體現(xiàn)。他們?cè)诶^承傳統(tǒng)的同時(shí),融入各自民族、時(shí)代的特征加以發(fā)展。第三部分選取兩部作品中的三組平行人物進(jìn)行對(duì)比,通過人物的悲劇命運(yùn)深入理解劇作家的悲劇觀。此外,兩位劇作家在作品中都精心設(shè)置了象征意象,既起到了渲染人物悲劇命運(yùn)的效果,更重要的是起到了烘托了悲劇氣氛的作用,深化了主題。本文通過兩組意象的對(duì)比,即兩劇中代表美好愿望的大海以及各自悲劇的象征霧和雷雨,進(jìn)一步探討兩位劇作家悲劇觀的異同。
[Abstract]:Eugene ONeil and Cao Yu are outstanding figures in the history of Chinese and Western drama, and the relationship between the two playwrights has also attracted much attention. Similar growth experiences and unfortunate families make O'neal and Cao Yu both of the family tragedies, among which the long journey into the night and the thunderstorm are the classic works of the two dramatists. Two family tragedies. There are many similarities in portrayal, creative techniques, image use, and the tragic outlook of dramatists, especially in their works, but there are also many differences. O'neal and Cao Yu are both influenced by the Greek view of tragedy, but they are also integrated into their own creative ideas and different cultural connotations, and are native and original. This article attempts to make a comparative study of two family tragedies through parallel research and influence research in order to achieve a more thorough interpretation of the two works, so as to better understand the creative ideas of the two playwrights as well as the purpose of the cultural background of the United States and China. First, the thesis briefly introduces the content of the tragedy of the two families, and then introduces the source of the tragedy - ancient times. The Greek tragedy, as a reference point, studies the similarities and differences between the tragic views of the two playwrights and the embodiment of the two plays. While inheriting the tradition, they integrate into their respective ethnic groups and develop the characteristics of the times. The third part selects the three groups of parallel characters in the two works and through the tragic fate of the characters to understand the tragedy of the playwright. In addition, two dramatists have set up the symbolic image carefully in their works, not only play the effect of rendering the tragic fate of the characters, but also play a role in the tragic atmosphere and deepen the theme. This article through the comparison of the two groups of images, that is, the sea of good wishes in the two plays, and the symbolic fog and thunder of their tragedies. Rain further explores the similarities and differences of two playwrights' tragedies.

【學(xué)位授予單位】：長沙理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：I0-03;I106

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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相關(guān)碩士學(xué)位論文 前2條

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本文編號(hào)：1830376