本文選題：媒介 + 中國��； 參考：《山東大學(xué)》2009年碩士論文

【摘要】： 傳播媒介是文學(xué)活動中不可或缺的因素,媒介的嬗變與文學(xué)的演進緊密相連,媒介不僅對文學(xué)具有載負意義,對文學(xué)的歷史流變也產(chǎn)生著潛在的影響�，F(xiàn)代媒介的迅速發(fā)展,將人類社會帶入媒介的時代,巨大的媒介影響力已經(jīng)席卷了包括文學(xué)在內(nèi)的人類社會的方方面面。大眾媒介時代的文學(xué)藝術(shù)同技術(shù)、權(quán)力與商業(yè)伴生。 中國當代媒體批評是依附于大眾媒介、根植于媒介文化的一種新型批評話語。媒體批評的誕生是大眾傳播媒介語境、經(jīng)濟全球化影響、閱讀期待視野改變和網(wǎng)絡(luò)文學(xué)興起等諸多合力的結(jié)果。 媒體批評不同于以往的文學(xué)批評,首先表現(xiàn)在批評主體的多元化。既有編輯與記者主導(dǎo)的“即時的批評”;高校教授、文學(xué)專業(yè)的研究生、文學(xué)研究機構(gòu)的學(xué)者為主體的“職業(yè)的批評”;也有作家與讀者積極參與的“自由的批評”。此外,批評主體還呈現(xiàn)出批評意圖多維化和批評精神媒介化的整體特征。 就傳播效果而言,媒體批評的積極意義與負面影響就如一枚硬幣的兩面。一方面,媒體批評凸顯大眾消費的主體地位,激活了文學(xué)——消費產(chǎn)業(yè)鏈的建構(gòu);弘揚文學(xué)交流的自由民主精神,推動建立文學(xué)對話的“公共空間”;突破相對單一的文學(xué)批評模式,促進形成多元互補的文藝批評格局。另一方面,由于對媒介的過度依附,媒體批評自身也有著揮之不去的媒介意識,從而呈現(xiàn)出鮮明的商品消費特性,淪為大眾消費快餐的傾向;膜拜娛樂與世俗價值,隨意播撒媒介符號的傾向和批評門檻降低后放縱非理性、張揚感官刺激的傾向。 鑒于上述分析,本文倡導(dǎo)對媒體批評予以有效引導(dǎo),加強其自身的批評規(guī)范建設(shè)、推動其實現(xiàn)與傳播媒介的良性互動,與其他批評范式的交流與互補,從而使媒體批評獲得媒介時代下的價值支點、審美意蘊與精神追求,真正成為多元、互補、和諧、有序的文藝批評格局中不可替代的力量。
[Abstract]:Media is an indispensable factor in literary activities. The evolution of media is closely related to the evolution of literature. Media not only has negative significance to literature, but also has a potential impact on the historical evolution of literature.With the rapid development of modern media, human society is brought into the era of media. Great media influence has swept all aspects of human society, including literature.Literature and art in the age of mass media are accompanied by technology, power and commerce.Chinese contemporary media criticism is a new kind of critical discourse which is dependent on the mass media and rooted in the media culture.The birth of media criticism is the result of mass media context, the influence of economic globalization, the change of vision of reading expectation and the rise of network literature.The media criticism is different from the literature criticism in the past.There are "immediate criticism" led by editors and journalists, "professional criticism" by professors in colleges and universities, postgraduates majoring in literature and scholars in literary research institutions, and "free criticism" in which writers and readers actively participate.In addition, the subject of criticism also presents the overall characteristics of multidimensional intention of criticism and medium of spirit of criticism.As far as communication effect is concerned, the positive and negative effects of media criticism are like two sides of one coin.On the one hand, media criticism highlights the main position of mass consumption, activates the construction of literature-consumption industrial chain, promotes the free and democratic spirit of literary exchange, and promotes the establishment of a "public space" for literary dialogue.Break through the relatively single literary criticism mode, promote the formation of multiple complementary literary criticism pattern.On the other hand, due to the excessive dependence on the media, the media criticism itself also has a lingering media awareness, thus showing a distinct commodity consumption characteristics, reduced to the trend of mass consumption of fast food, worship entertainment and secular values,The tendency of random dissemination of media symbols and the tendency to indulge irrationality after the threshold of criticism is lowered, and the tendency to promote sensual stimulation.In view of the above analysis, this paper advocates to effectively guide media criticism, strengthen its own criticism norm construction, promote its positive interaction with the media, and exchange and complement with other criticism paradigms.So that the media criticism can obtain the value fulcrum in the media age, aesthetic implication and spiritual pursuit, and become the irreplaceable force in the pattern of pluralistic, complementary, harmonious and orderly literary criticism.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：I06

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 陳辛靈;網(wǎng)絡(luò)媒介對“新世代”社會角色的影響[D];成都理工大學(xué);2012年

，

本文編號：1766750