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李希凡現(xiàn)當(dāng)代文藝批評(píng)研究

發(fā)布時(shí)間:2018-03-07 17:35

  本文選題:李希凡 切入點(diǎn):文藝批評(píng) 出處:《中國(guó)藝術(shù)研究院》2017年碩士論文 論文類(lèi)型:學(xué)位論文


【摘要】:李希凡是我國(guó)當(dāng)代著名的文藝批評(píng)家、紅學(xué)家。在他六十多年的學(xué)術(shù)活動(dòng)中,留下了大量的文藝批評(píng)的文章和著作,成果豐碩。本文以李希凡的現(xiàn)當(dāng)代文藝批評(píng)為研究對(duì)象,從理論立場(chǎng)與批評(píng)方法、批評(píng)實(shí)踐與批評(píng)風(fēng)格、值得倡導(dǎo)的批評(píng)精神三方面梳理和概括了李希凡的現(xiàn)當(dāng)代文藝批評(píng)的主要成就與特質(zhì)。本文第一章從李希凡的成長(zhǎng)與學(xué)習(xí)的經(jīng)歷出發(fā),總結(jié)了李希凡理論研究立場(chǎng)形成與選擇的“啟蒙”與緣起;繼而回到李希凡文藝批評(píng)的文本,對(duì)理論基礎(chǔ)與批評(píng)標(biāo)準(zhǔn)在文本中呈現(xiàn)的特征進(jìn)行總結(jié)和歸納。這包括三個(gè)方面,第一方面是以歷史唯物主義為哲學(xué)基礎(chǔ),第二方面以毛澤東文藝思想為指導(dǎo),第三方面是對(duì)新時(shí)期以來(lái)的文藝思想的吸收和學(xué)習(xí),對(duì)李希凡當(dāng)代文藝批評(píng)的理論基礎(chǔ)和批評(píng)方法進(jìn)行分析和總結(jié)。第二章的主要內(nèi)容是關(guān)于李希凡文藝批評(píng)實(shí)踐的形式與內(nèi)容的分析,包括高度重視“典型”的創(chuàng)造、歷史真實(shí)與藝術(shù)真實(shí)關(guān)系的探求、影視改編的主張、文學(xué)批評(píng)新樣式的開(kāi)拓、批評(píng)語(yǔ)言風(fēng)格的整理和歸納。第三章主要內(nèi)容圍繞李希凡作為文藝批評(píng)家,身上所展現(xiàn)出的值得倡導(dǎo)的批評(píng)精神進(jìn)行總結(jié),即思辨創(chuàng)新精神、持之以恒精神、坦率真誠(chéng)精神這三種精神。這三種精神既是對(duì)李希凡個(gè)人學(xué)術(shù)精神特質(zhì)的概括,也為習(xí)近平提出的“真正的批評(píng)”提供一種例證與范本,對(duì)當(dāng)下的文藝批評(píng)建設(shè)與發(fā)展具有重要的借鑒意義。李希凡是堅(jiān)定的馬克思主義學(xué)者,是新中國(guó)培養(yǎng)出的第一代“大學(xué)生”。他的文藝批評(píng)在當(dāng)時(shí)產(chǎn)生了廣泛的影響,他的批評(píng)是范本、是標(biāo)桿。他奮筆疾書(shū)在文藝論爭(zhēng)的第一現(xiàn)場(chǎng),實(shí)踐了馬克思主義美學(xué),探索了社會(huì)主義文藝的創(chuàng)作,肯定了作家作品的歷史意義與時(shí)代價(jià)值,辨析了作品的形式與內(nèi)容的長(zhǎng)短,提出了中肯的意見(jiàn)與建議。研究李希凡的文藝批評(píng),對(duì)于了解中國(guó)當(dāng)代文藝批評(píng)的發(fā)展具有典型意義;對(duì)于當(dāng)下文藝批評(píng)的建設(shè)與發(fā)展具有借鑒意義。
[Abstract]:Li Xi, who is a famous contemporary literary and art critic in our country, is a red scientist. In his academic activities of more than 60 years, he has left behind a large number of articles and works on literary and art criticism, with fruitful results. This article takes Li Xifan's modern and contemporary literary criticism as the object of study. From the theoretical standpoint and critical method, criticism practice and criticism style, The three aspects of the spirit of criticism worthy of advocacy comb and generalize the main achievements and characteristics of Li Xifan's contemporary literary criticism. The first chapter of this paper starts from the experience of the growth and learning of Li Xifan. This paper summarizes the "enlightenment" and origin of Li Xifan's theoretical research position, and then goes back to the literary and art criticism of Li Xifan, summarizes and summarizes the characteristics of the theoretical basis and the criteria of criticism in the text. This includes three aspects. The first is based on historical materialism as a philosophical basis, the second is guided by Mao Zedong's literary and artistic thinking, and the third is the absorption and study of literary and artistic ideas since the new period. This paper analyzes and summarizes the theoretical basis and methods of Li Xifan's contemporary literary criticism. The second chapter focuses on the analysis of the forms and contents of the literary criticism practice of Li Xifan, including attaching great importance to the creation of "typical". The relationship between historical reality and artistic truth, the idea of film and television adaptation, the development of new literary criticism style, the arrangement and induction of critical language style. Chapter three focuses on Li Xifan as a literary critic. The spirit of criticism that deserves to be advocated is summed up, that is, the spirit of speculative innovation, the spirit of perseverance and the spirit of frankness and sincerity. These three spirits are a summary of Li Xifan's individual academic spirit. It also provides an example and a model for the "real criticism" put forward by Xi Jinping, which is of great significance to the construction and development of contemporary literary criticism. He was the first generation of "college students" trained in New China. His literary criticism had a wide influence at that time, and his criticism was a model and a benchmark. This paper explores the creation of socialist literature and art, affirms the historical significance and epoch value of the writers' works, distinguishes the length of the forms and contents of the works, puts forward some pertinent opinions and suggestions, and studies Li Xifan's literary criticism. It is of typical significance for understanding the development of contemporary literary criticism in China and of reference for the construction and development of contemporary literary criticism.
【學(xué)位授予單位】:中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:I0

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