本文選題：行為藝術(shù)　切入點(diǎn)：行為表演　出處：《北京電影學(xué)院學(xué)報(bào)》2016年05期 　論文類型：期刊論文

【摘要】：行為藝術(shù)是用于傳遞不同地域各種想法的理想媒介。它以視覺為主,因此無(wú)需翻譯;又由于它是轉(zhuǎn)瞬即逝的,因此在很多將藝術(shù)家活動(dòng)視為具有政治顛覆性的國(guó)家里,藝術(shù)家們?yōu)榱艘?guī)避政府的監(jiān)管,行為藝術(shù)表演常常就成為他們展示作品的完美媒介;它很前沿,因?yàn)樗?jīng)常使用技術(shù)來(lái)創(chuàng)作聲音和圖像,可以記錄與放映;并且在使用身體方面,用姿勢(shì)和運(yùn)動(dòng)這種通用的隱喻語(yǔ)言,不管是裸體還是穿著衣服,肢體語(yǔ)言則是永恒和易懂的。此外,伴隨其可延長(zhǎng)的時(shí)間框架,有時(shí)可持續(xù)數(shù)小時(shí),甚至是數(shù)天。就不同國(guó)家歷史、儀式以及個(gè)人情感和精神狀態(tài)而言,行為藝術(shù)表演是一種手段,它可以對(duì)圖像信息進(jìn)行復(fù)雜分層。因此,不管是來(lái)自俄羅斯、印度的行為藝術(shù),還是來(lái)自巴西的行為藝術(shù),它可能是激進(jìn)或強(qiáng)烈的,但當(dāng)它們被運(yùn)到紐約、柏林、巴黎或倫敦的文化中心時(shí),就可以瞬間激起藝術(shù)家們的受關(guān)注度。從批評(píng)的維度來(lái)講,這些作品拒絕與西方傳統(tǒng)的繪畫和雕塑放在一起相提并論,而當(dāng)涉及到行為藝術(shù)的意義和來(lái)源時(shí),則意味著接續(xù)下來(lái)的新藝術(shù)環(huán)境的蓬勃發(fā)展。
[Abstract]:The art of acting is the ideal medium for conveying ideas from different regions. It is visual and therefore does not require translation; and because it is so fleeting, in many countries where the activities of artists are viewed as politically subversive, In order to circumvent government regulation, performing arts are often the perfect medium for artists to display their works; they are at the forefront because they often use technology to create sounds and images that can be recorded and shown. And when it comes to body use, body language is timeless and easy to understand using the universal metaphor language of posture and exercise, whether naked or dressed. In addition, with its extended time frame, it can sometimes last for hours. Even days. In terms of the history of different countries, rituals, and personal emotional and spiritual states, performance art shows are a means of making complex layering of image information. So whether it's from Russia or India, the art of behavior. It may be radical or intense, but when it comes to cultural centers in New York, Berlin, Paris or London, it can instantly arouse the attention of artists. These works refuse to be compared with traditional Western paintings and sculptures, and when it comes to the meaning and source of performance art, it means that the new artistic environment continues to flourish.
【作者單位】： 北京電影學(xué)院電影學(xué)系;
【分類號(hào)】：J5
，

本文編號(hào)：1569980